After leaving Bowdoin, Hawthorne returned to Salem, where he passed the
next twelve years of his life, and during which he must have marked out
authorship as his profession, as he attempted nothing else. Here he
produced, from time to time, stories and sketches which found their way
to the periodicals of the day, and which won for him a reputation among
other American writers. But it is remarkable that the years which a man
devotes usually to the best work of his life were spent by Hawthorne in
a contented half-dream of what he meant to accomplish later on; for
exquisite as is some of the work produced at this time, it never would
have won for the author the highest place in American literature. These
stories and sketches were collected later on, and published under the
titles _Twice-Told Tales_ and _Snow Image_. They are full of the grace
and beauty of Hawthorne's style, but in speaking of them Hawthorne
himself says that there is in this result of twelve years little to show
for its thought and industry. But whatever may have been the cause of
delay, the promise of his genius was fulfilled at last. In 1850, when
Hawthorne was forty-six years old, appeared his first great romance. In
writing this book Hawthorne had chosen for his subject a picture of old
Puritan times in New England, and out of the tarnished records of the
past he created a work of art of marvellous and imperishable beauty.
In the days of which he wrote a Puritan town or village was exactly like
a large family bound together by mutual interests, in which the acts of
each life were regarded as affecting the whole community. In this novel
Hawthorne imprisoned forever the spirit of colonial New England, with
all its struggles, hopes, and fears; and the conscience-driven Puritan,
who lived in the new generation only in public records and church
histories, was lifted into the realm of art.
In Hawthorne's day this grim figure, stalking in the midst of Indian
fights, village pillories, town meetings, witch-burnings, and church
councils, was already a memory. He had drifted into the past with his
steeple-crowned hat and his matchlock. He had left the pleasant New
England farm-lands with their pastures and meadows, hills and valleys
and wild-pine groves, and lurked like a ghost among the old church-yards
and court-houses where his deeds were recorded.
Hawthorne brought him back to life, rehabilitated him in his old
garments, set him in the midst of his fellow-elders in the church, and
gave him a perfect carnival of trials and worries for conscience' sake.
He made the old Puritan live anew, and never again can his memory become
dim. It is embalmed for all time by the cunning art of this master-hand.
This first romance, published under the title _The Scarlet Letter_,
revealed both to Hawthorne himself and the world outside the
transcendent power of his genius.
Public-domain text, read in full here on John Shaqi.
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