Hawthorne, when the work was first finished, was in a desperate frame of
mind, because of the little popularity his other books had acquired, and
told his publisher, who saw the first germ of the work, that he did not
know whether the story was very good or very bad. The publisher,
however, perceived at once the unusual quality of the work, prevailed
upon Hawthorne to finish it immediately, and brought it out one year
from that time, and the public, which had become familiar with Hawthorne
as a writer of short stories, now saw that it had been entertaining a
genius unawares.
Hawthorne's next work, _The House of the Seven Gables_, is a story of
the New England of his own day. Through its pages flit the contrasting
figures that one might find there and nowhere else. The old spinster of
ancient family who is obliged in her latter years to open a toy and
ginger-bread shop, and who never forgets the time when the house with
seven gables was a mansion whose hospitality was honored by all, is a
pathetic picture of disappointed hope and broken-down fortune. So also
her brother, who was imprisoned under a false charge for twenty years,
and who is obliged in his old age to lean upon his sister for support.
The other characters are alike true to life--a life that has almost
disappeared now in the changes of the half-century since its scenes were
made the inspiration of Hawthorne's romance.
The _House of the Seven Gables_ was followed by two beautiful volumes
for children: _The Wonder-Book_, in which the stories of the Greek myths
are retold, and _Tanglewood Tales_.
Public-domain text, read in full here on John Shaqi.
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