2 Colors 4.35 32 53 13 (Colors) - .13+ A. Touches 4.55 34 62 3 (A. T.) - .38+ 3 Colors 4.35 57 25 16 (Colors) + .40+ P. Touches 4.56 51 23 25 (P. T.) + .30+ 4 Tones 4.33 68 24 7 (Tones) + .45+ A. Touches 4.55 64 32 3 (A. T.) + .23+ 5 Tones 4.33 72 17 10 (Tones) + .52+ P. Touches 4.56 42 34 23 (P. T.) + .14+ M. 1 Colors 4.44 23 59 17 (Color) - .29+ Tones 4.20 12 81 6 (Tones) - 1.08 2 Colors 4.44 58 24 17 (Colors) + .43+ A. Touches 4.24 54 43 1.8+ (A. T.) + .17+ 3 Colors 4.44 71 13 15 (Colors) + .72+ P. Touches 5.14 43 17 39 (P.T.) + .26 4 Tones 4.20 99 .2 .5 (Tones) + 1.71+ A. Touches 4.24 63 36 .2 (A. T.) + .31+ From this last table certain conclusions may be drawn. (1) When Colors and Tones were combined, both were lowered in the appreciation of both subjects. The percentages show: (_a_) That about the same number of colors was lowered, 59.6% for F. and 59% for M. (_b_) That about the same average displacement of colors occurred, .26+ for F. and .29+ for M. (_c_) That about the same number of tones was lowered, 77% for F. and 81% for M. (_d_) That the tones were lowered more for M., -.74+ for F., and 1.08+ for M. (2) When Colors and Active Touches were combined, for F. both are lowered; for M. both are raised. The colors are lowered only very slightly, .13 for F, while for M they are raised .43+; and conversely, the active touches are lowered .38+ for F, and raised only .17+ for M. Still, it appears clear that with F. there was an interference,--and both colors and active touches are lowered while the same combinations with M. are mutually reënforcing. (3) When Colors and Passive Touches were combined, the appreciation of both was raised for both F. and M. The result shows: (_a_) That the percentages of colors and passive touches raised are practically the same for both F. and M. (_b_) That the color displacement is greater for M. than for F., being +.72+ for M. and only .40+ for F. (_c_) That there is only a slight difference in the displacement of the passive touches.