Hawthorne, Nathaniel, 1804-1864 -- Friends and associates; Novelists, American -- 19th century -- Biography
Emerson was ungainly in build, with narrow, sloping shoulders, large
feet and hands, and a projecting carriage of the head, which enhanced
the eagle-like expression of his glance and features. His head was
small; it was covered (in 1852) with light brown hair, fine and
straight; he was cleanshaven save for a short whisker; the peaked ends
of an uncomfortable collar appeared above the folds of a high, black
silk stock. His long-skirted black coat was commonly buttoned up; he
wore, on different occasions, a soft felt hat or a high silk one, the
latter, from use, having become in a manner humanized. On the street he
kept his face up as he walked along, and perceived the approach of an
acquaintance afar off, and the wise, slow smile gleamed about his mouth
as he drew near. "How do you do?" was sometimes his greeting; but more
often, "Good-bye!" or "Good-night!"--an original and more sensible
greeting. Though ungainly in formation, he was not ungraceful in bearing
and action; there was a fitness and harmony in his manifestations
even on the physical plan. On the lecture platform he stood erect and
unadorned, his hands hanging folded in front, save when he changed the
leaf of his manuscript, or emphasized his words with a gesture: his
customary one, simple but effective, was to clinch his right fist,
knuckles upward, the arm bent at the elbow, then a downward blow of the
forearm, full of power bridled. It was accompanied by such a glance
of the eyes as no one ever saw except from Emerson: a glance like the
reveille of a trumpet. Yet his eyes were not noticeably large, and their
color was greenish-gray; but they were well set and outlined in his
head, and, more than is the case with most men, they were the windows
of his soul. Wendell Phillips had an eloquent and intrepid eye, but it
possessed nothing approaching the eloquence and spiritual influence of
Emerson's. In every Lyceum course in Concord, Emerson lectured once or
twice, and the hall was always filled. One night he had the misfortune
to wear a pair of abominably creaking boots; every slightest change of
posture would be followed by an outcry from the sole-leather, and
the audience soon became nervously preoccupied in expecting them. The
sublimest thoughts were mingled with these base material accompaniments.
But there was nothing to be done, unless the lecturer would finish his
lecture in his stocking-feet, and we were fain to derive a fortuitous
inspiration from observing the unfaltering meekness with which our
philosopher accepted the predicament. I have forgotten the subject of
the lecture on that occasion, but the voice of the boots will always
sound in my memory.
Public-domain text, read in full here on John Shaqi.
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