Hawthorne, Nathaniel, 1804-1864 -- Friends and associates; Novelists, American -- 19th century -- Biography
In his own house Emerson shone with essential hospitality, and yet he
wonderfully effaced himself; any one but he might hold the centre of
the stage. You felt him everywhere, but if you would see him, you must
search the wings. He sat in his chair, bending forward, one leg crossed
over the other, his elbows often supported on his knee; his legs were
rather long and slender, and he had a way, after crossing his leg, of
hitching the instep of that foot under the calf of the other leg, so
that he seemed braided up. He seldom stood in a room, or paced to and
fro, as my father was fond of doing. But the two men were almost equally
addicted to outdoor walking, and both preferred to walk alone. Emerson
formed the habit of betaking himself to Walden woods, which extended to
within a mile or so of his door; thence would he return with an exalted
look, saying, "The muses are in the woods to-day"; and no one who has
read his Woodnotes can doubt that he found them there. Occasionally
Channing, Thoreau, or my father would be his companion; Alcott preferred
to busy himself about his rustic fences and summer-houses, or to sit
the centre of a circle and converse, as he called it; meaning to
soliloquize, looking round from face to face with unalterable faith and
complacency.
My father read Emerson with enjoyment; though more and more, as he
advanced in life, he was disposed to question the expediency of stating
truth in a disembodied form; he preferred it incarnate, as it appears in
life and in story. But he could not talk to Emerson; his pleasure in his
society did not express itself in that form. Emerson, on the other hand,
assiduously cultivated my father's company, and, contrary to his general
habit, talked to him continuously; but he could not read his romances;
he admitted that he had never been able to finish one of them. He loved
to observe him; to watch his silence, which was full of a kind of speech
which he was able to appreciate; "Hawthorne rides well his horse of the
night!" My father was Gothic; Emerson was Roman and Greek. But each was
profoundly original and independent. My father was the shyer and more
solitary of the two, and yet persons in need of human sympathy were able
to reach a more interior region in him than they could in Emerson. For
the latter's thought was concerned with types and classes, while the
former had the individual touch. He distrusted rules, but had faith
in exceptions and idiosyncrasies. Emerson was nobly and magnanimously
public; my father, exquisitely and inevitably private; together they met
the needs of nearly all that is worthy in human nature.
Public-domain text, read in full here on John Shaqi.
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