Hazlitt on English Literature: An Introduction to the Appreciation of LiteratureHazlitt, William
History
Hazlitt on English Literature: An Introduction to the Appreciation of Literature
Hazlitt, William
English literature -- History and criticism
In the other passage the clauses and phrases follow in their natural
order, but they are united by the simplest kind of connective device in an
undistinguishable stream over which the reader is driven with a steady
swell and fall, sometimes made breathlessly rapid by the succession of its
uniformly measured word-groups, but delicately modulated here and there to
provide restful pauses in the long onward career:
"Next, he was engaged with Hartley's tribes of mind, 'etherial braid,
thought-woven,'--and he busied himself for a year or two with vibrations
and vibratiuncles and the great law of association that binds all things
in its mystic chain, and the doctrine of Necessity (the mild teacher of
Charity) and the Millennium, anticipative of a life to come--and he
plunged deep into the controversy on Matter and Spirit, and, as an escape
from Dr. Priestley's Materialism, where he felt himself imprisoned by the
logician's spell, like Ariel in the cloven pine-tree, he became suddenly
enamoured of Bishop Berkeley's fairy-world, and used in all companies to
build the universe, like a brave poetical fiction, of fine words--and he
was deep-read in Malebranche, and in Cudworth's Intellectual System (a
huge pile of learning, unwieldly, enormous) and in Lord Brook's
hieroglyphic theories, and in Bishop Butler's Sermons, and in the Duchess
of Newcastle's fantastic folios, and in Clarke and South and Tillotson,
and all the fine thinkers and masculine reasoners of that age--and
Leibnitz's _Pre-established Harmony_ reared its arch above his head, like
the rainbow in the cloud, covenanting with the hopes of man--and then he
fell plump, ten thousand fathoms down (but his wings saved him harmless)
into the _hortus siccus_ of Dissent" etc.[102]
The same style which glistens and sparkles in describing the fancy of Pope
rises to an inspired chant with a clearly defined cadence at the
recollection of the past glory of Coleridge:
"He was the first poet I ever knew. His genius at that time had angelic
wings, and fed on manna. He talked on for ever; and you wished him to talk
on for ever. His thoughts did not seem to come with labour and effort; but
as if borne on the gusts of genius, and as if the wings of his imagination
lifted him from off his feet. His voice rolled on the ear like the pealing
organ, and its sound alone was the music of thought. His mind was clothed
with wings; and raised on them, he lifted philosophy to heaven. In his
descriptions, you then saw the progress of human happiness and liberty in
bright and never-ending succession, like the steps of Jacob's ladder, with
airy shapes ascending and descending, and with the voice of God at the top
of the ladder. And shall I, who heard him then, listen to him now? Not I!
That spell is broke; that time is gone for ever; that voice is heard no
more: but still the recollection comes rushing by with thoughts of
long-past years, and rings in my ears with never-dying sound."[103]
Public-domain text, read in full here on John Shaqi.
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