Hazlitt on English Literature: An Introduction to the Appreciation of Literature — John Shaqi
Hazlitt on English Literature: An Introduction to the Appreciation of LiteratureHazlitt, William
History
Hazlitt on English Literature: An Introduction to the Appreciation of Literature
Hazlitt, William
English literature -- History and criticism
It would take much space to illustrate all the notes to which Hazlitt's
voice responds--the pithy epigram of the Characteristics, the
Chesterfieldian grace in his advice "On the Conduct of Life," the
palpitating movement with which he gives expression to his keen enjoyment
of his sensual or intellectual existence, and the subdued solemnity of his
reveries which sometimes remind us that he was writing in an age which had
rediscovered Sir Thomas Browne. The following sentence proves how
accurately he could catch the rhythm of the seventeenth century. "That we
should wear out by slow stages, and dwindle at last into nothing, is not
wonderful, when even in our prime our strongest impressions leave little
trace but for the moment, and we are the creatures of petty
circumstance."[104] Other passages in the same essay echo this manner only
less strikingly:
"Life is indeed a strange gift, and its privileges are most mysterious. No
wonder when it is first granted to us, that our gratitude, our admiration,
and our delight, should prevent us from reflecting on our own nothingness,
or from thinking it will ever be recalled. Our first and strongest
impressions are borrowed from the mighty scene that is opened to us, and
we unconsciously transfer its durability as well as its splendour to
ourselves. So newly found we cannot think of parting with it yet, or at
least put off that consideration _sine die_. Like a rustic at a fair, we
are full of amazement and rapture, and have no thought of going home, or
that it will soon be night. We know our existence only by ourselves, and
confound our knowledge with the objects of it. We and nature are therefore
one. Otherwise the illusion, the 'feast of reason and the flow of soul,'
to which we are invited, is a mockery and a cruel insult. We do not go
from a play till the last act is ended, and the lights are about to be
extinguished. But the fairy face of nature still shines on: shall we be
called away before the curtain falls, or ere we have scarce had a glimpse
of what is going on? Like children, our step-mother nature holds us up to
see the raree-show of the universe, and then, as if we were a burden to
her to support, lets us fall down again. Yet what brave sublunary things
does not this pageant present, like a ball or _fete_ of the
universe!"[105]
Public-domain text, read in full here on John Shaqi.
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