American fiction -- 20th century; Short stories, American; West (U.S.) -- Social life and customs -- Fiction
“What do you think of that?” he shouted derisively. “The Gaekwar of
Baroda rides in an elephant in a howdah! And there’s old Bikram
Shamsher Jang scorching up and down the pig-paths of Khatmandu on a
motor-cycle. Wouldn’t that maharajah you? And the Shah of Persia, that
ought to have been Muley-on-the-spot for at least three, he’s got the
palanquin habit. And that funny-hat prince from Korea—wouldn’t you
think he could afford to amble around on a milk-white palfrey once in a
dynasty or two? Nothing doing! His idea of a Balaklava charge is to
tuck his skirts under him and do his mile in six days over the
hog-wallows of Seoul in a bull-cart. That’s the kind of visiting
potentates that come to this country now. It’s a hard deal, friend.”
I murmured a few words of sympathy. But it was uncomprehending, for I
did not know his grievance against the rulers who flash, meteor-like,
now and then upon our shores.
“The last one I sold,” continued the displeased one, “was to that
three-horse-tailed Turkish pasha that came over a year ago. Five
hundred dollars he paid for it, easy. I says to his executioner or
secretary—he was a kind of a Jew or a Chinaman—‘His Turkey Gibbets is
fond of horses, then?’
“‘Him?’ says the secretary. ‘Well, no. He’s got a big, fat wife in the
harem named Bad Dora that he don’t like. I believe he intends to saddle
her up and ride her up and down the board-walk in the Bulbul Gardens a
few times every day. You haven’t got a pair of extra-long spurs you
could throw in on the deal, have you?’ Yes, sir; there’s mighty few
real rough-riders among the royal sports these days.”
As soon as Lucullus Polk got cool enough I picked him up, and with no
greater effort than you would employ in persuading a drowning man to
clutch a straw, I inveigled him into accompanying me to a cool corner
in a dim café.
And it came to pass that man-servants set before us brewage; and
Lucullus Polk spake unto me, relating the wherefores of his
beleaguering the antechambers of the princes of the earth.
“Did you ever hear of the S.A. & A.P. Railroad in Texas? Well, that
don’t stand for Samaritan Actor’s Aid Philanthropy. I was down that way
managing a summer bunch of the gum and syntax-chewers that play the
Idlewild Parks in the Western hamlets. Of course, we went to pieces
when the soubrette ran away with a prominent barber of Beeville. I
don’t know what became of the rest of the company. I believe there were
some salaries due; and the last I saw of the troupe was when I told
them that forty-three cents was all the treasury contained. I say I
never saw any of them after that; but I heard them for about twenty
minutes. I didn’t have time to look back. But after dark I came out of
the woods and struck the S.A. & A.P. agent for means of transportation.
He at once extended to me the courtesies of the entire railroad, kindly
warning me, however, not to get aboard any of the rolling stock.
Public-domain text, read in full here on John Shaqi.
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