American fiction -- 20th century; Short stories, American; West (U.S.) -- Social life and customs -- Fiction
“About ten the next morning I steps off the ties into a village that
calls itself Atascosa City. I bought a thirty-cent breakfast and a
ten-cent cigar, and stood on the Main Street jingling the three pennies
in my pocket—dead broke. A man in Texas with only three cents in his
pocket is no better off than a man that has no money and owes two
cents.
“One of luck’s favourite tricks is to soak a man for his last dollar so
quick that he don’t have time to look it. There I was in a swell St.
Louis tailor-made, blue-and-green plaid suit, and an eighteen-carat
sulphate-of-copper scarf-pin, with no hope in sight except the two
great Texas industries, the cotton fields and grading new railroads. I
never picked cotton, and I never cottoned to a pick, so the outlook had
ultramarine edges.
“All of a sudden, while I was standing on the edge of the wooden
sidewalk, down out of the sky falls two fine gold watches in the middle
of the street. One hits a chunk of mud and sticks. The other falls hard
and flies open, making a fine drizzle of little springs and screws and
wheels. I looks up for a balloon or an airship; but not seeing any, I
steps off the sidewalk to investigate.
“But I hear a couple of yells and see two men running up the street in
leather overalls and high-heeled boots and cartwheel hats. One man is
six or eight feet high, with open-plumbed joints and a heartbroken cast
of countenance. He picks up the watch that has stuck in the mud. The
other man, who is little, with pink hair and white eyes, goes for the
empty case, and says, ‘I win.’ Then the elevated pessimist goes down
under his leather leg-holsters and hands a handful of twenty-dollar
gold pieces to his albino friend. I don’t know how much money it was;
it looked as big as an earthquake-relief fund to me.
“‘I’ll have this here case filled up with works,’ says Shorty, ‘and
throw you again for five hundred.’
“‘I’m your company,’ says the high man. ‘I’ll meet you at the Smoked
Dog Saloon an hour from now.’
“The little man hustles away with a kind of Swiss movement toward a
jewelry store. The heartbroken person stoops over and takes a
telescopic view of my haberdashery.
“‘Them’s a mighty slick outfit of habiliments you have got on, Mr.
Man,’ says he. ‘I’ll bet a hoss you never acquired the right, title,
and interest in and to them clothes in Atascosa City.’
“‘Why, no,’ says I, being ready enough to exchange personalities with
this moneyed monument of melancholy. ‘I had this suit tailored from a
special line of coatericks, vestures, and pantings in St. Louis. Would
you mind putting me sane,’ says I, ‘on this watch-throwing contest?
I’ve been used to seeing time-pieces treated with more politeness and
esteem—except women’s watches, of course, which by nature they abuse by
cracking walnuts with ’em and having ’em taken showing in tintype
pictures.’
Public-domain text, read in full here on John Shaqi.
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