Exiles -- Russia (Federation) -- Siberia -- Fiction; Prisons -- Russia (Federation) -- Siberia -- Fiction
Old Masha had followed her mistress into the new life. She received
him with all the old friendly favour which would have put him in
Palma's place if the turning of the wheel had rested with her.
"I will tell her you are here, Paul Ivanuitch," said Masha, scanning
his face, woman-like, for sign of his feeling, but lingering still.
"I am going away to Moscow, Marya. I have come to say goodbye."
"Ach!" said old Masha knowingly, and stood looking at him.
"Tell me, Marya. Is she happy?"
"Yes, she is happy, Paul Ivanuitch," and added quickly, "but you know
she is not like others. It is not of herself she thinks. It is a
terrible great change," she said, waving her simple old hands at the
sumptuous appointments of the room. "I am almost afraid to speak
aloud at times, it is all so fine. But it doesn't trouble her one
bit, and it is not that she cares for. It seems to me sometimes that
we have half the poor people of the city on our hands, and there are
fresh ones every day."
"And Palma is good to--to you, Marya?" he asked, with an almost
imperceptible quiver of the lip, which old Marya did not fail to
catch, though her eyes were not as strong as they were once. She
knew so well all that lay behind it.
"He is very good, Paul Ivanuitch. He is a bigger man than I thought.
He is very generous. My God! how the money goes! I am afraid in the
night sometimes that it will come to an end, but there is always
plenty next day. I did not know any one had so much money."
"I will send you my address in Moscow, Marya. If ever I can do
anything for--for you--or for her, will you promise to let me know?"
"Surely. It is good to know one has a friend to turn to. Now sit
down and I will tell her you are here."
He did not sit down, but stood looking at the big oil paintings on
the wall--Prince Peter, and Serge's mother, and Serge himself when he
was a small boy. And the rich hangings to the windows and doors, and
the carved table and buffet and chairs, stole in upon his senses
without his knowingly looking at them, though he remembered them all
afterwards, because they were the things she lived among. And then
the door opened, and he was face to face with Hope herself.
She was looking very well, very bright and cheerful, more richly
dressed than he had ever seen her, more beautiful than ever.
His face was thinner even than it used to be, and his deep eyes
deeper, and keener, and more ardent, she thought, but just the same
straight, honest eyes that always met your own frankly and squarely,
and held no equivocations. Perhaps there was something of a shadow
in them now, but it might be only that they looked deeper in their
settings than before. In truth there was in them the shadow of a
slight reserve to which she had not been accustomed. For in spite of
himself he felt a touch of resentment at her cheerfulness, and a
touch of anger with himself for so feeling.
"You are going away, Paul Ivanuitch?" said Hope, when she had greeted
him.
Public-domain text, read in full here on John Shaqi.
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