Hearts to mend: A fantasy in one actOverstreet, H. A. (Harry Allen)
Science
Hearts to mend: A fantasy in one act
Overstreet, H. A. (Harry Allen)
American drama -- 20th century
Hearts to mend?--oho--I do that, too! Truth is (_confidentially_), it’s
come to be my main business. For if you’d believe it, there’s more
hearts to mend and souls to mend than pots and kettles to mend in this
old world of ours. Fact, my dear sir, fact! (_Sits down_) And you can’t
throw hearts away when they begin to show wear--now can you?--like you
throw away an old pot? No siree! (_Impressively_) You got to mend ’em.
And there’s tricks about mendin’ them, sir--tricks in all trades, say
I. You can mend ’em so’s they’s worse’n they was in the beginning.
And you can mend ’em so careful and so clever, you can’t tell they
was ever mended at all. In fact, I’ve mended some of them so they was
better that way than they was in the beginning. Seems curious, but it’s
true. If there was a kettle now you wanted me to work on while I was
talkin’, it’d keep me busy.
(_Pierrot looks about; gets up and tosses him a kettle._)
PIERROT
There! Bang away at that!
(_He sits down again. The Tins-to-mend man hammers away for awhile,
Pierrot watching him gloomily._)
MAN
You see--pots and kettles is curious things. Y’ can’t just let ’em set
there and be. They rust. That’s what they do. Y’ got t’ keep shinin’
’em--keep polishin’ ’em up. And they like it, sir--oh, they do! They
kinda get a hold on life. And when they hang in your kitchen all bright
and happy like, they just seem to sing away like birds. Now you’re a
singer, sir--why don’t you make a song about that?
PIERROT
I can’t sing any more.
MAN
Lost your voice, sir?
PIERROT
No--worse than that--I’m married!
MAN (_solicitously_)
That’s bad, sir; that’s bad--if you’re not married right. They take it
out of a man, them wicked ones!
PIERROT (_firing up_)
Who said she was a wicked one?
MAN
But if she’s good--
PIERROT (_hopelessly_)
Ah, that’s the trouble. She’s good. A man can’t live on goodness alone.
It gets on his nerves.
MAN
And what else should he live on?
PIERROT (_passionately_)
Thrills--passions--longings! The kisses that make dreams--the touches
of hands that make the songs come tumbling out of you--
MAN (_laughing_)
Oho, but it ought to be easy enough for a handsome young master like
you to get those things!
PIERROT
It’d break her heart.
MAN (_lifting his eyes_)
Then you’re fond of her, sir?
PIERROT (_roughly_)
Of course I’m fond of her. That’s just the trouble! (_pause_) But
I’m tired to death of her--and that’s the trouble, too. First, when
I loved her, just a peep of her out of a window would set my heart
dancing. Now, when I see her--it’s just like seeing--the butcher
boy--or the bakeshop woman. (_Rises excitedly_) I tell you when things
are like that, something’s got to be done. An artist can’t live
that way. Ordinary men can. All they want of their wives is to be
cushions--soft--so’s they can go to sleep. Artists are different. They
want the sky and all the quivering stars in the sky. When they marry
(_he makes a grimace_)--it’s good-bye to the stars!
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account