Respecting the criminal legislation of the Talmud, it may be observed that nowhere in its pages are any traces to be found of the use of the rack or of any other kind of torture to compel the accused to implicate himself. The judges were obliged, according to the Talmud, to search for innocence rather than for guilt. To judge a man charged with a capital crime, no less than twenty judges had to be selected from among the most eminent doctors of law; so extreme was the care taken of human life. The examination of witnesses in such a case was so rigorous that a sentence of capital punishment became almost impossible. The Talmud goes even so far as to declare that the tribunal which imposes the penalty of death once in seven or even seventy years, is a court of murderers. Thus it will be seen that the severity of the Mosaic code had been modified by the influence of these oral conditions, which tell us also that “paying measure for measure” is in God's hands only, and that he who has sustained any bodily injuries must rest satisfied with an indemnification of money. Equally interesting, and much more entertaining, is the second portion of the Talmud—the Agada. It is, as already stated, the poetry of the Talmud. It contains fairy tales and words of wisdom, plays of fancy and jests, parables and legends. The patriarchs and some of the kings and prophets of the Bible were mostly the characters from whom the allegories of the Agada were derived. So, for example, of Solomon, a favourite hero of the Agada, the following pleasant little story is told: “This monarch was once visited by Queen Sheba, who wished to ascertain in person whether all was true that was said about him. So she appeared one day before him in his palace, holding in each hand a bouquet of flowers. And though one was natural and the other artificial, their resemblance to each other was so great that it was impossible to tell from a distance which was the production of nature, and which of art. This, however, Solomon had to decide. Observing, by chance, a swarm of bees hovering about outside, he ordered the windows to be opened, and as soon as this was done, the bees rushed in, and at once fixed on the natural flowers. Queen Sheba was satisfied with the genuine wisdom of the Jewish monarch.” From this story, says one of the humorous Agadaists, a good moral lesson can be derived, if applied to ladies generally, namely, that the bee only rests on the natural beauties, and never fixes on the painted ones^[52-1].