Instantly there was a scuffling of feet upon the linoleum over in a
corner, where mail was being opened by a huge young fellow with the
profile of a mountain and a gale of tawny hair blown up from his brow.
Undoubling suddenly, this rangy figure of a man shot upward with
Jack-in-the-box abruptness and a violence which threatened the stability
of both the desk before him and the absurdly small typewriter stand upon
his left. Seizing a select portion of the correspondence, he lunged
past the roll-top desk of Heitmuller, the chief clerk, and aimed toward
the double doors of grained oak which loomed behind. But his progress
was grotesque, for he careened like a camel when he walked. In the
first stride or two these careenings only threatened to be dangerous,
but in the third or fourth they made good their promise. One lurching
hip joint banged the drawn-out leaf of the chief clerk’s desk, sweeping
a shower of papers to the floor.
"John—dammit!" snapped Heitmuller irritably. The other hip caracoled
against the unopened half of the double doors as John yawed through.
The door complained loudly, rattling upon its hinges and in its brazen
sockets, so that for a moment there was clatter and disturbance from one
end of the office to the other.
The orange shipper started nervously, and the chief clerk, cocking his
head gander-wise, gazed in disgust at the confusion on the floor, while
far within Robert Mitchell, the General Freight Agent of the California
Consolidated Railway, lifted a massive face from his desk with a look of
mild reproof in his small blue eyes.
Yet when the huge stenographer came back, and with another scuffling of
clumsy feet stooped to retrieve the litter about Heitmuller’s revolving
chair, he seemed so regretful and his features lighted with such a
helplessly apologetic smile that even his awkwardness appeared
commendable, since it was so obviously seasoned with the grace of
perfectly good intent.
Appreciation of this was advertised in the forgiving chuckle of the
chief clerk who, standing now at the rail, remarked _sotto voce_ to the
orange shipper: "John is as good as a vaudeville act!"
At this the red moustaches undulated appreciatively, while the two
"mourners" laughed so audibly that the awkward man, once more in his
chair, darted an embarrassed glance at them, and the red flush came
again to his face. He suspected they were laughing at him, and as if to
comfort himself, a finger and thumb went into his right vest pocket and
drew out a clipping from the advertising columns of the morning paper.
Holding it deep in his hand, he read furtively:
_ACTING TAUGHT_. Charles Kenton, character actor, temporarily
disengaged, will receive a few select pupils in dramatic expression at
his studio in The Albemarle. Terms reasonable.
Then John looked across aggressively at the men who had laughed. They
were not laughing now, but nodding in his direction, and whispering
busily.
Public-domain text, read in full here on John Shaqi.
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