What were they saying? That he was a joke, a failure? That he had been
in this chair seven years? That he was a big, snubbed, defeated,
over-worked handy-man about this big, loosely organized office? That in
seven years he had neither been able to get himself promoted nor
discharged? No doubt!
As if to get away from the thought, John turned from his typewriter to
the open window and looked out. There was the spire of the grand old
First Church down there below him. Yonder were the sky-notching
business blocks of the pushing city of Los Angeles, as it was in the
early nineteen hundreds. There, too, were the villa-crowned heights to
the north, shut in at last by the barren ridges of the Sierra Madre
Mountains, some of which, in this month of January, were snow-capped.
But here were these foolish men still nodding and whispering. Good
fellows, too, but blind. What did they know about him really?
They knew that he was a stenographer, but they did not know that he was
a stenographer to the glory of God!—one who cleaned his typewriter,
dusted his desk, opened the mail, wrote his letters, ate, walked, slept,
all to the honor of his creator—that the whole of life to him was a sort
of sacrament.
They thought he was beaten and discouraged, an industrial slave, drawn
helplessly into the cogs. They, poor, purblind materialists, were
without vision. They did not know that there were finer things than
pickles and crude oil. They did not know that he was to soar; that
already his wings were budding, nor that he lived in an inner state of
spiritual exaltation as delicious as it was unsuspected. They pitied
him; they laughed commiseratingly. He did not want their commiseration;
he spurned their laughter and their pity. He was full of youth and the
exuberance of hope. He was full of an expanding strength that made him
stronger as his dream grew brighter. Only his eyes were tired. The
cross lights were bad. For a moment he shaded his brow tenderly with
his hand, reflecting that he must hereafter use an eye-shade by day as
methodically he used one in his nightly study.
The morning moved along. The yearning orange shipper went away. One
mourner rose and passed inside. The other waited impatiently for his
turn to do the same. Luncheon time came for John, and he ate it in the
file room—ravenously; and while he ate he read—the Congressional Record;
and reading, made notations on the margin, for John was preparing for
what he was preparing, although he did not quite know what. The train
of destiny was rumbling along, and when it stopped at his station, he
proposed to swing on board.
His luncheon down swiftly, as much through hunger as through haste, he
swung out of the door, bound for Charles Kenton, "actor—temporarily
disengaged—Hotel Albemarle—terms reasonable," moving with such headlong
speed that he was soon within that self-important presence.
Public-domain text, read in full here on John Shaqi.
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