Off the stage again Hampstead stumbled about amid flying scenery, racing
stage hands, and a surging mass of supernumeraries, like a man
recovering consciousness. He wanted to get out of sight somewhere. He
had the feeling of having been stripped naked. Every vestige of his
religious adoration had been dynamited out of existence. This was no
Christian maiden but an actress playing a part. As for the woman
herself, she was very blasé and very modern, who, at this moment, as he
could see by a glance into the open door of her dressing room, was
sitting with crossed knees, head back and enveloped in a halo of smoke,
while her pretty lips were distended in a yawn, and the spark of a
cigarette glowed in her finger tips.
"And I am another!" Hampstead muttered, with a sneer that was aimed
inward.
Seven minutes later, Lygia walked out of her dressing room minus the
cigarette and looking again that angel vision, but Hampstead knew better
now. He viewed her at first critically and then reflectively; but was
presently startled at the gist of his reflections, which was a sort of
self-congratulation because this creature that he was about to take in
his arms was not an angel, but that more alluring, less elusive thing, a
woman.
Two more minutes and the pair of stage hands were stretched stomach-wise
upon the floor ready to swing open the wings of the gate at the cue from
St. Peter, and Lygia was lying once more in John’s arms. In the instant
of waiting before the curtain rose, he had time to notice how
contentedly and trustfully she appeared to nestle there. Her breathing
was like his at first, easy and natural; but gradually, as the moment of
suspense lengthened and the instant of action drew near, the rhythmic
pulse of both bosoms accelerated, as if, heart on heart, their souls
beat in unison. John was noticing, too, how soft Marien’s body was
where the armor did not extend, how deliciously warm it was, indeed how
something like an ethereal heat radiated from it and filled all his
veins with a strange, electric, impulsive wistfulness. What was that
giddy perfume?
Involuntarily he drew her closer, with a gentle, steady pressure. At
this she raised her eyelids and gazed at him for a moment,
contemplatively first and then passively curious, after which she
lowered the lids again, while her lips half parted in a voiceless sigh.
So far as Hampstead was concerned, illusion had gone. He knew that he
was just a man. So far as Miss Dounay was concerned, he suspected that
she was just a woman. But devotion remained. John did not relax his
hold. Instead there was a momentary tightening of his arms.
"Let ’er go," called the low, tense voice of Mowrey; and with a rustling
sound the great curtain slipped slowly upward.
*CHAPTER V*
*THE RATE CLERK*
Public-domain text, read in full here on John Shaqi.
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