Authors -- Fiction; Authorship -- Fiction; Married people -- Fiction
Helena, in sympathy with her whole scheme, had much exaggerated the
eminence of the Husband's position. It was not a case of any
back-street Kit Kats here: he was away, night after night, delivering
most brilliant lectures to exclusive West End literary clubs or even
travelling four hundred miles to unveil well-earned lapidary tributes
of great authors who had actually managed to be dead now for a hundred
years. This husband, who deserted his wife and was jealous if she went
to anything with any other man, was not an author of the Hubert Brett
class, so that big names were thrown about at parties where in very
truth the problem soon became a topic. Each had it on the best
authority that So-and-So, the celebrated author, or Mrs. So-and-So, had
said this or the opposite; and nobody believed the other's story.
Nothing sells a book like talk. The printed word, paid or unpaid, is
only useful to set tongues a-wagging. And as the authorship was
bandied here and there, editions trickled slowly from the Press.
Mr. Blatchley was delighted. His firm was not among the
old-established, and this could rank as his first great success; but it
was very great. The book was only three-and-six; people actually
bought it; the libraries roared out for more.
Journalists, hot upon dinner-table topics as vultures after flesh,
interviewed him, each hoping to be in the office at that crucial moment
when he decided the book's sale would gain by an announcement of the
much-debated name.
But even when the interest began to wane--for nothing lasts Londoners
more than a fortnight--Mr. Blatchley to every one's surprise was
adamant. He still persisted in the stupid lie that he had not found
out, himself....
"Look here, Alison," he said one day, when Geoffrey Alison had called
in at his little office off the Strand, "you're not playing cricket,
quite." He was a podgy little alien man, fattened beyond his years,
and he said this with all a British sportsman's sternness.
"Oh come, you know; don't say that," exclaimed the other, naturally
shocked. (His life average in the game itself would be a decimal.)
"I do, though," said the publisher and offered him a cigar. The artist
did not care for that especial form of smoke, but felt that this was
not the moment to be firm. He must not lose further prestige. He
would leave soon and throw it away.
There was a pause of some seconds, broken only by a crossing of
"Thanks" as they got things in order; then Blatchley lay back in his
office chair and blew out the first whiff of smoke.
Public-domain text, read in full here on John Shaqi.
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