Henry Dunbar: A NovelBraddon, M. E. (Mary Elizabeth)
General
Henry Dunbar: A Novel
Braddon, M. E. (Mary Elizabeth)
Fiction
"I went into the little town of Wandsworth, the queer old-fashioned
High Street, the dear old street, which seems to me like a town in a
Dutch picture, where all the tints are of a sombre brown, yet in which
there is, nevertheless, so much light and warmth. The lights were
beginning to twinkle here and there in the windows; and upon this July
evening there seemed to be flowers blooming in every casement. I
loitered idly through the street, staring at the shop-windows, in utter
absence of mind while I thought—
"What could I have thought of that evening? and how was it that I did
not think the world blank and empty?
"While I was looking idly in at one of those shop-windows—it was a
fancy-shop and stationer's—a kind of bazaar, in its humble way—my eye
was attracted by the word 'Music;' and on a little card hung in the
window I read that a lady would be happy to give lessons on the
piano-forte, at the residences of her pupils, or at her own residence,
on very moderate terms. The word 'very' was underscored. I thought it
had a pitiful look somehow, that underscoring of the adverb, and seemed
almost an appeal for employment. The inscription on the card was in a
woman's hand, and a very pretty hand—elegant but not illegible, firm
and yet feminine. I was in a very idle frame of mind, ready to be
driven by any chance wind; and I thought I might just as well turn my
evening walk to some account by calling upon the proprietress of the
card. She was not likely to suit my ideas of perfection, any more than
the other ladies I had seen; but I should at least be able to return
home with the consciousness of having made another effort to find an
instructress for my niece.
"The address on the card was, 'No. 3, Godolphin Cottages.' I asked the
first person I met to direct me to Godolphin Cottages, and was told to
take the second turning on my right. The second turning on my right
took me into a kind of lane or by-road, where there were some
old-fashioned, semi-detached cottages, sheltered by a row of sycamores,
and shut in by wooden palings. I opened the low gate before the third
cottage, and went into the garden,—a primly-kept little garden, with a
grass-plat and miniature gravel-walks, and with a grotto of shells and
moss and craggy blocks of stone in a corner. Under a laburnum-tree
there was a green rustic bench; and here I found a young lady sitting
reading by the dying light. She started at the sound of my footsteps on
the crisp gravel, and rose, blushing like one of the cabbage-roses that
grew near her. The blush was all the more becoming to her inasmuch as
she was naturally very pale. I saw this almost immediately, for the
bright colour faded out of her face while I was speaking to her.
"'I have come to inquire for a lady who teaches music,' I said; 'I saw
a card, just now, in the High Street, and as I am searching for an
instructress for my little niece, I took the opportunity of calling.
But I fear I have chosen an inconvenient time for my visit.'
Public-domain text, read in full here on John Shaqi.
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