Henry Gally : $b A critical essay on characteristic-writings from his translation of The moral characters of Theophrastus (1725)Gally, Henry
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Henry Gally : $b A critical essay on characteristic-writings from his translation of The moral characters of Theophrastus (1725)
Gally, Henry
Characters and characteristics in literature; Theophrastus. Characters
_Mr. _de la Bruyere’s_ Fault does not consist in having put _Notes_
to his Translation, but rather in not having put enough. When a
Translator of an antient Author intends to preserve the peculiar
Character of the Original, _Notes_ become absolutely necessary to
render the Translation intelligible to a modern Reader. The Learn’d
may pass them over; and those, for whom _Explanatory Notes_ are
chiefly designed, must not think it too much Trouble, to bestow a
second Reading on the Text, after they have given a First to the
Whole. This Trouble (if any thing ought to be call’d so that conveys
Instruction) is no more than what many persons, who have attained to
no small share of Knowledg in the learn’d Languages, must submit to,
at the first Perusal of an Original Author. If in a translated Author
any Difficulties occur, on this Head, to a modern Reader, and the
Translator has taken Care to clear up those difficulties by adding
_Notes_, the modern Reader ought to thank him for his Pains, and not
think his Labour superfluous.
’Tis hop’d then that the _Notes_, that I have added, will be kindly
receiv’d. The Reader will nevertheless be at full Liberty to peruse
them, or to pass them over. If he if but so favourable as to approve
of the Translation it self, this will be a sufficient Satisfaction to
the Translator, and be looked upon as no finall Commendation of the
Performance. For a Translation, if it be well performed, ought in
Justice to be receiv’d as a good Commentary_.
SECT. II.
There is no Kind of polite Writing that seems to require a deeper
Knowledge, a livelier Imagination, and a happier Turn of Expression
than the Characteristic. Human Nature, in its various Forms and
Affections, is the Subject; and he who wou’d attempt a Work of this
Kind, with some assurance of Success, must not only study other Men;
he has a more difficult Task to perform; he must study himself. The
deep and dark Recesses of the Heart must be penetrated, to discover
how Nature is disguis’d into Art, and how Art puts on the Appearance
of Nature.--This Knowledge is great; ’tis the Perfection of Moral
Philosophy; ’tis an inestimable Treasure: But yet if it shou’d fall
into the Hands of one, who wants proper Abilities to communicate his
Knowledge to the World, it wou’d be of no Service but to the Owner: It
wou’d make him, indeed, an able Philosopher, but not an able Writer of
Characters.
The Mind has its peculiar Features as well as the Body; and these
must be represented in their genuine and native Colours, that so the
Picture may strike, and every Reader, who is concern’d in the Work,
may presently discover himself; and those, who are unconcern’d may,
nevertheless, immediately perceive a just Correspondence between that
Piece and Nature.
Public-domain text, read in full here on John Shaqi.
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