American fiction -- 20th century; Short stories, American
She looked away. “Well,” she said, “I don’t suppose he likes to be
forgotten.”
“You mean: to have his accomplishments forgotten?”
“Isn’t that a little condescending? I should say, his _gifts_,” she
corrected a trifle sharply. Sharpness was so unusual in her that she may
have seen my surprise, for she added, in her usual tone: “After all, I
suppose he’s our most brilliant man, isn’t he?” She smiled a little, as
if to take the sting from my doing so.
“Of course he is,” I rejoined. “But all the more reason—how could a man
of his kind resent such a trifling oversight? I’ll write at once—”
“Oh, _don’t_!” she cut me short, almost pleadingly.
Mrs. Durant’s word was law: Cranch was not asked for a water-colour.
Homer Davids’s, I may add, sold for two thousand dollars, and paid for a
heating-system for our hospital. A Boston millionaire came down on
purpose to buy the picture. It was a great day for Harpledon.
IV
About a week after the fair I went one afternoon to call on Mrs. Durant,
and found Cranch just leaving. His greeting, as he hurried by, was curt
and almost hostile, and his handsome countenance so disturbed and pale
that I hardly recognized him. I was sure there could be nothing personal
in his manner; we had always been on good terms, and, next to Mrs.
Durant, I suppose I was his nearest friend at Harpledon—if ever one
could be said to get near Waldo Cranch! After he had passed me I stood
hesitating at Mrs. Durant’s open door—front doors at Harpledon were
always open in those friendly days, except, by the way, Cranch’s own,
which the stern Catherine kept chained and bolted. Since meeting me
could not have been the cause of his anger, it might have been excited
by something which had passed between Mrs. Durant and himself; and if
that were so, my call was probably inopportune. I decided not to go in,
and was turning away when I heard hurried steps, and Mrs. Durant’s
voice. “Waldo!” she said.
I suppose I had always assumed that she called him so; yet the familiar
appellation startled me, and made me feel more than ever in the way.
None of us had ever given Cranch his Christian name.
Mrs. Durant checked her steps, perceiving that the back in the doorway
was not Cranch’s but mine. “Oh, do come in,” she murmured, with an
attempt at ease.
In the little drawing-room I turned and looked at her. She, too, was
visibly disturbed; not angry, as he had been, but showing, on her white
face and reddened lids, the pained reflection of his anger. Was it
against her, then, that he had manifested it? Probably she guessed my
thought, or felt her appearance needed to be explained, for she added
quickly: “Mr. Cranch has just gone. Did he speak to you?”
“No. He seemed in a great hurry.”
“Yes.... I wanted to beg him to come back ... to try to quiet him....”
She saw my bewilderment, and picked up a copy of an illustrated magazine
which had been tossed on the sofa. “It’s that—” she said.
Public-domain text, read in full here on John Shaqi.
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