American fiction -- 20th century; Short stories, American
The pages fell apart at an article entitled: “Colonial Harpledon,” the
greater part of which was taken up by a series of clever sketches signed
by the Boston architect whom she had brought to Cranch’s a few months
earlier.
Of the six or seven drawings, four were devoted to the Cranch house. One
represented the façade and its pillared gates, a second the garden front
with the windowless side of the wing, the third a corner of the box
garden surrounding the Chinese summer house; while the fourth, a
full-page drawing, was entitled: “The back of the slaves’ quarters and
service-court: quaint window-grouping.”
On that picture the magazine had opened; it was evidently the one which
had been the subject of discussion between my hostess and her visitor.
“You see ... you see....” she cried.
“This picture? Well, what of it? I suppose it’s the far side of the
wing—the side we’ve never any of us seen.”
“Yes; that’s just it. He’s horribly upset....”
“Upset about what? I heard him tell the architect he could come back
some other day and see the wing ... some day when the maids were not
sitting in the court; wasn’t that it?”
She shook her head tragically. “He didn’t mean it. Couldn’t you tell by
the sound of his voice that he didn’t?”
Her tragedy airs were beginning to irritate me. “I don’t know that I pay
as much attention as all that to the sound of his voice.”
She coloured, and choked back her tears. “I know him so well; I’m always
sorry to see him lose his self-control. And then he considers me
responsible.”
“You?”
“It was I who took the wretched man there. And of course it was an
indiscretion to do that drawing; he was never really authorized to come
back. In fact, Mr. Cranch gave orders to Catherine and all the other
servants not to let him in if he did.”
“Well—?”
“One of the maids seems to have disobeyed the order; Mr. Cranch imagines
she was bribed. He has been staying in Boston, and this morning, on the
way back, he saw this magazine at the book-stall at the station. He was
so horrified that he brought it to me. He came straight from the train
without going home, so he doesn’t yet know how the thing happened.”
“It doesn’t take much to horrify him,” I said, again unable to restrain
a faint sneer. “What’s the harm in the man’s having made that sketch?”
“Harm?” She looked surprised at my lack of insight. “No actual harm, I
suppose; but it was very impertinent; and Mr. Cranch resents such
liberties intensely. He’s so punctilious.”
“Well, we Americans are not punctilious, and being one himself, he ought
to know it by this time.”
She pondered again. “It’s his Spanish blood, I suppose ... he’s
frightfully proud.” As if this were a misfortune, she added: “I’m very
sorry for him.”
“So am I, if such trifles upset him.”
Her brows lightened. “Ah, that’s what I tell him—such things _are_
trifles, aren’t they? As I said just now: ‘Your life’s been too
fortunate, too prosperous. That’s why you’re so easily put out.’”
“And what did he answer?”
Public-domain text, read in full here on John Shaqi.
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