American fiction -- 20th century; Short stories, American
“Oh, it only made him angrier. He said: ‘I never expected that from
_you_’—that was when he rushed out of the house.” Her tears flowed over,
and seeing her so genuinely perturbed I restrained my impatience, and
took leave after a few words of sympathy.
Never had Harpledon seemed to me more like a tea-cup than with that
silly tempest convulsing it. That there should be grown-up men who could
lose their self-command over such rubbish, and women to tremble and weep
with them! For a moment I felt the instinctive irritation of normal man
at such foolishness; yet before I reached my own door I was as
mysteriously perturbed as Mrs. Durant.
The truth was, I had never thought of Cranch as likely to lose his
balance over trifles. He had never struck me as unmanly; his quiet
manner, his even temper, showed a sound sense of the relative importance
of things. How then could so petty an annoyance have thrown him into
such disorder?
I stopped short on my threshold, remembering his face as he brushed past
me. “Something _is_ wrong; really wrong,” I thought. But what? Could it
be jealousy of Mrs. Durant and the Boston architect? The idea would not
bear a moment’s consideration, for I remembered _her_ face too. “Oh,
well, if it’s his silly punctilio,” I grumbled, trying to reassure
myself, and remaining, after all, as much perplexed as before.
All the next day it poured, and I sat at home among my books. It must
have been after ten in the evening when I was startled by a ring. The
maids had gone to bed, and I went to the door, and opened it to Mrs.
Durant. Surprised at the lateness of her visit, I drew her in out of the
storm. She had flung a cloak over her light dress, and the lace scarf on
her head dripped with rain. Our houses were only a few hundred yards
apart, and she had brought no umbrella, nor even exchanged her evening
slippers for heavier shoes.
I took her wet cloak and scarf and led her into the library. She stood
trembling and staring at me, her face like a marble mask in which the
lips were too rigid for speech; then she laid a sheet of note-paper on
the table between us. On it was written, in Waldo Cranch’s beautiful
hand: “My dear friend, I am going away on a journey. You will hear from
me,” with his initials beneath. Nothing more. The letter bore no date.
I looked at her, waiting for an explanation. None came. The first word
she said was: “Will you come with me—now, at once?”
“Come with you—where?”
“To his house—before he leaves. I’ve only just got the letter, and I
daren’t go alone....”
“Go to Cranch’s house? But I ... at this hour.... What is it you are
afraid of?” I broke out, suddenly looking into her eyes.
She gave me back my look, and her rigid face melted. “I don’t know—any
more than you do! That’s why I’m afraid.”
“But I know nothing. What on earth has happened since I saw you
yesterday?”
“Nothing till I got this letter.”
“You haven’t seen him?”
“Not since you saw him leave my house yesterday.”
Public-domain text, read in full here on John Shaqi.
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