Apologetics; Chesterton, G. K. (Gilbert Keith), 1874-1936
It does not even rest on the kindness
of the rich to the poor. It rests on the perennial and unfailing
kindness of the poor to the rich.
The snobbishness of bad literature, then, is not servile; but the
snobbishness of good literature is servile. The old-fashioned
halfpenny romance where the duchesses sparkled with diamonds was not
servile; but the new romance where they sparkle with epigrams is
servile. For in thus attributing a special and startling degree of
intellect and conversational or controversial power to the upper
classes, we are attributing something which is not especially their
virtue or even especially their aim. We are, in the words of Disraeli
(who, being a genius and not a gentleman, has perhaps primarily to
answer for the introduction of this method of flattering the gentry),
we are performing the essential function of flattery which is
flattering the people for the qualities they have not got. Praise may
be gigantic and insane without having any quality of flattery so long
as it is praise of something that is noticeably in existence. A man
may say that a giraffe’s head strikes the stars, or that a whale fills
the German Ocean, and still be only in a rather excited state about a
favourite animal. But when he begins to congratulate the giraffe on his
feathers, and the whale on the elegance of his legs, we find ourselves
confronted with that social element which we call flattery. The middle
and lower orders of London can sincerely, though not perhaps safely,
admire the health and grace of the English aristocracy. And this for
the very simple reason that the aristocrats are, upon the whole, more
healthy and graceful than the poor. But they cannot honestly admire the
wit of the aristocrats. And this for the simple reason that the
aristocrats are not more witty than the poor, but a very great deal
less so. A man does not hear, as in the smart novels, these gems of
verbal felicity dropped between diplomatists at dinner. Where he
really does hear them is between two omnibus conductors in a block in
Holborn. The witty peer whose impromptus fill the books of Mrs.
Craigie or Miss Fowler, would, as a matter of fact, be torn to shreds
in the art of conversation by the first boot-black he had the
misfortune to fall foul of. The poor are merely sentimental, and very
excusably sentimental, if they praise the gentleman for having a ready
hand and ready money. But they are strictly slaves and sycophants if
they praise him for having a ready tongue. For that they have far more
themselves.
Public-domain text, read in full here on John Shaqi.
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