England -- Social life and customs -- 19th century -- Fiction; Families -- Fiction
Milly was barely nineteen when this happened; but even then her
mother--who had always been ailing--was threatened with a chronic
complaint involving no ordinary suffering; and now began the long seven
years' watching which faded Milly's youth and roses together.
Milly had never known how galling had been the strain to the nerves--how
intense her own tenacity of will and purpose, till she had folded her
mother's pale hands together; and with a lassitude too great for tears,
felt as she crept away that her work was finished none too soon, and
that even her firm young strength was deserting her.
Trouble had not come singly to Mildred. News of her sister-in-law's
unexpected death had reached her, just before her mother's last brief
attack, and her brother had been too much stunned by his own loss to
come to her in her loneliness.
Not that Milly wondered at this. She loved Arnold dearly; but he was so
much older, and they had grown necessarily so apart. He and his wife had
been all in all to each other; and the family in the vicarage had seemed
so perfected and completed that the little petted Milly of old days
might well plead that she was all but forgotten.
But Betha's death had altered this; and Arnold's letter, written as good
men will write when their heart is well-nigh broken, came to Mildred as
she sat alone in her black dress in her desolate home.
New work--unknown work--and that when youth's elasticity seemed gone,
and spirits broken or at least dangerously quieted by the morbid
atmosphere of sickness and hypochondria. They say the prisoner of twenty
years will weep at leaving his cell. The tears that Mildred shed that
night were more for the mother she had lost and the old safe life of the
past, than pity for the widowed brother and motherless children.
Do we ever outlive our selfishness? Do we ever cease to be fearful for
ourselves?
And yet Mildred was weary of solitude. Arnold was her own, her only
brother; and Aunt Milly--well, perhaps it might be pleasant.
'Say yes, Milly--for Betha's sake--for my darling's sake (she was so
fond of you), if not for mine. Think how her children miss her! Matters
are going wrong already. It is not their fault, poor things; but I am so
helpless to decide. I used to leave everything to her, and we are all so
utterly lost.
'I could not have asked you if our mother had lingered; but your
faithful charge, my poor Milly, is over--your martyrdom, as Betha called
it. She was so bright, and loved to have things so bright round her,
that your imprisonment in the sickroom quite oppressed her. It was "poor
Milly," "our dear good Milly," to the last. I wish her girls were more
like her; but she only laughed at their odd ways, and told me I should
live to be proud of them.
Public-domain text, read in full here on John Shaqi.
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