Eccentrics and eccentricities -- Fiction; Women -- Fiction
“‘I’ll chance that, but, by hell, Ruth, you shall listen to me. They
think you’re going to marry that lout, but as I’m a living man you
shan’t. I’ll murder him first. I swear before God that if you become
that man’s wife I’ll make you his widow.’
“I stood petrified, wondering what I should do. It was night, and pitch
dark inside the shed, but as I looked over the back of my cow down the
line of stalls in which the slow cattle were lazily ruminating, I saw
two indistinct figures and, beyond them, the open door, the night sky,
and an angry moon, the yellow Hunter’s moon, rising behind the trees.
“Ruth spoke again.
“‘Rawdon, don’t talk too loud. I’ll stay, yes, I’ll stay with you; only
dad’ll kill you if he finds you here.’
“‘I’ve been up every night to find you,’ Westmacott said in a lower
voice. ‘I’ve hung about hoping you’d come out. Ruth, you don’t know. I’m
mad for you.... You’re my woman. What business have you to go with
bloodless men? You come with me, and I’ll give you all you lack. I’ll be
good to you, too, I swear I will. I’ll not drink; no, on my word, it’s
the thought of you that drives me to it. Ruth!’
“He put out his arms and tried to seize her, but she recoiled and stood
holding on to the butt-end of a stall.
“‘Hands off me, Rawdon.’
“‘You’re very particular,’ he sneered; and then, changing his tone,
‘Come, child, you’re just ridiculous. I know you better than that. Have
you forgotten the day we drove to Tonbridge market? you wasn’t so nice
then.’
“‘I disremember,’ she said stolidly, but under her stolidity I think she
was shaken.
“‘You don’t disremember at all. There’s fire in you, Ruth, there’s
blood; that’s why I like you. You’re shamming ladylike. I’ve got that
gent with his accursed notions to thank, I suppose.’
“This reminded me with a start of my own identity. I could not stay
eavesdropping, so I made up my mind and stepped out into the passage
between the stalls.
“Westmacott and Ruth cried simultaneously,—
“‘Who’s that?’
“‘Mr. Malory!’
“‘This is a bad hour for you, sir,’ said Westmacott to me.
“I knew that I must not quarrel with him.
“‘I am sorry,’ I said. ‘I had no intention of spying on you and was only
doing my ordinary work in here. I will go if you, Ruth, wish me to go.’
“‘No,’ said Westmacott, ‘go, and tell them all I’m here? Not much.
You’ve heard enough now to know I want Ruth. You’ve always known it.
I’ve always wanted her, and I mean to have her. Who are you, you fine
gentleman, that you should stand in my way? I could crush your windpipe
with my finger and thumb.’”
I pictured that grotesque scene in that dark, smelly shed, among the
ruminating cattle, and those two antagonistic men with the girl between
them.
“I turned to Ruth,” said Malory, “and asked her frigidly what she wanted
me to do? Should I attack the fellow? or give the alarm? or was it by
her consent that he was there? Again she did not speak and he answered
for her.
Public-domain text, read in full here on John Shaqi.
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