Cosimo was a scholar and welcomed the learned Greeks who fled from Constantinople when that city was taken by the Turks in 1453. He founded a Platonic Academy in Florence so that his guests were able to discuss philosophy at leisure. He professed to find consolation for all the misfortunes of his life in the writings of the Greek Plato, and read them rather ostentatiously in hours of bereavement. He collected as many classical manuscripts as his agents could discover on their journeys throughout Europe, and had these translated for the benefit of scholars. He had been in the habit of conciliating Alfonso of Naples by a present of gold and jewels, but as soon as a copy of Livy, the Latin historian, came to his hand, he sent the priceless treasure to his ally, knowing that the Neapolitan prince had an enormous reverence for learning. Cosimo, in truth, never coveted such finds for his own private use, but was always generous in exhibiting them at public libraries. He bought works of art to encourage the ingenuity of Florentine craftsmen, and would pay a high price for any new design, because he liked to think that his benevolence added to the welfare of the city. Cosimo protected the commercial interests of Florence, identifying them with his own. He knew that peace {33} was essential to the foreign trade, and tried to keep on friendly terms with the neighbours whose hostility would have destroyed it. He lived with simplicity in private life, but he needed wealth to maintain his position as patron of art and the New Learning; nor did he grudge the money which was scattered profusely to provide the gorgeous spectacles, beloved by the unlearned. He knew that nothing would rob the Florentines so easily of their ancient love of liberty as the experience of sensuous delights, in which all southern races find some satisfaction. He entertained the guests of the Republic with magnificence, that they might be impressed by the security of his unlawful government. Lorenzo, the grandson of Cosimo dei Medici, carried on his policy. It had been successful, for the Florentines of their own accord put themselves beneath the sway of a second tyrant. "Poets of every kind, gentle and simple, with golden cithern and with rustic lute, came from every quarter to animate the suppers of the Magnifico; whosoever sang of arms, of love, of saints, of fools, was welcome, or he who, drinking and joking, kept the company amused. . . . And in order that the people might not be excluded from this new beatitude (a thing which was important to the Magnifico), he composed and set in order many mythological representations, triumphal cars, dances, and every kind of festal celebration, to solace and delight them; and thus he succeeded in banishing from their souls any recollection of their ancient greatness, in making them insensible to the ills of the country, in disfranchising and debasing them by means of temporal ease and intoxication of the senses."