Frontier and pioneer life -- West (U.S.) -- Fiction; Orphans -- Fiction; Young women -- Fiction
Marcus, in spite of himself, was managed into a sale. It was of an
enormous canvas, covered weakly enough by a thin reproduction of a range
of the Rockies and a sagebrush flat. Mr. Hudson in his hollow voice
pronounced it "classy." "Say," he said, "put a little life into the
foreground and that would please _me_. It's what I'm seekin'. Put in an
automobile meetin' one of these old-time prairie schooners--the old West
sayin' howdy to the noo. That will tickle the trade." Mark, who was
feeling weak and ill, consented wearily. He sketched in the proposed
amendment and Hudson approved with one of his wrinkled smiles. He offered
a small price, at which Arundel leapt like a famished hound.
When his visitors had gone, the painter went feverishly to work. The day
before his death, Sheila, under his whispered directions, put the last
touches to the body of the "auto_m_obile."
"It's ghastly," sighed the sick man, "but it will do--for Millings." He
turned his back sadly enough to the canvas, which stood for him like a
monument to fallen hope. Sheila praised it with a faltering voice, but he
did not turn nor speak. So she carried the huge picture out of his sight.
The next day, at about eleven o'clock in the morning, Hudson called. He
came with stiff, angular motions of his long, thin legs, up the four
steep, shabby flights and stopped at the top to get his breath.
"The picture ain't worth the climb," he thought; and then, struck by the
peculiar stillness of the garret floor, he frowned. "Damned if the feller
ain't out!" He took a stride forward and knocked at Arundel's door. There
was no answer. He turned the knob and stepped into the studio.
A screen stood between him and one half of the room. The other half was
empty. The place was very cold and still. It was deplorably bare and
shabby in the wintry morning light. Some one had eaten a meager breakfast
from a tray on the little table near the stove. Hudson's canvas stood
against the wall facing him, and its presence gave him a feeling of
ownership, of a right to be there. He put his long, stiff hands into his
pockets and strolled forward. He came round the corner of the screen and
found himself looking at the dead body of his host.
The nurse, that morning, had come and gone. With Sheila's help she had
prepared Arundel for his burial. He lay in all the formal detachment of
death, his eyelids drawn decently down over his eyes, his lips put
carefully together, his hands, below their white cuffs and black sleeves,
laid carefully upon the clean smooth sheet.
Hudson drew in a hissing breath, and at the sound Sheila, crumpled up in
exhausted slumber on the floor beside the bed, awoke and lifted her face.
Public-domain text, read in full here on John Shaqi.
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