Hidden Symbolism of Alchemy and the Occult ArtsSilberer, Herbert
Religion
Hidden Symbolism of Alchemy and the Occult Arts
Silberer, Herbert
Alchemy; Society of Rosicrucians; Symbolism (Psychology)
The beautiful alone
Can be the object of our love.
The greatest art is only to separate it from its tissue ...
For it [the soul] nothing mortal suffices,
Yea, the pleasure of the gods cannot diminish a thirst
That only the fountain quenches. So my friends
That which other mortals lures like a fly on the hook
To sweet destruction
Because of a lack of higher discriminative art
Becomes for the truly wise
A Pegasus to supramundane travel.
But the poets usually speak only in figures. I will therefore rest
satisfied with this one example.
The service of having rediscovered the intrinsic value of alchemy over and
above its chemical and physical phase, is to be ascribed probably to the
American, Ethan Allen Hitchcock, who published his views on the alchemists
in the book, “Remarks upon Alchemy and the Alchemists,” that appeared in
Boston in 1857, and to the Frenchman, N. Landur, a writer on the
scientific periodical “L’Institut,” who wrote in 1868 in similar vein [in
the organ “L’Institut,” 1st Section, Vol. XXXVI, pp. 273 ff.], though I do
not know whether he wrote with knowledge of the American work. Landur’s
observations are reported by Kopp (Alch., II, p. 192), but he does not
rightly value their worth. It need not be a reproach to him. He undertook
as a chemical specialist a work that would have required quite as much a
psychologist, a philosopher or a theologian.
The discoveries made by the acute Hitchcock are so important for our
analysis, that a complete exposition of them cannot be dispensed with. I
should like better to refer to Hitchcock’s book if it were not practically
inaccessible.
We have heard that the greatest stumbling block for the uninitiated into
the hermetic art lay in the determination of the true subject, the prima
materia. The authors mentioned it by a hundred names; and the gold seeking
toilers were therefore misled in a hundred ways. Hitchcock with a single
word furnishes us the key to the understanding of the hermetic masters,
when he says: The subject is man. We can also avail ourselves of a play on
words and say the subject or substance is the subject.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account