Highways and Byways in LondonCook, Emily Constance Baird
History
Highways and Byways in London
Cook, Emily Constance Baird
London (England) -- Description and travel
"I have seen the West End, the parks, the fine squares; but
I love the City far better. The City seems so much more in
earnest; its business, its rush, its roar, are such serious
things, sights, sounds. The City is getting its living, the
West End but enjoying its pleasure. At the West End you may
be amused; but in the City you are deeply excited."--_C.
Brontë_: "_Villette._"
"And who cries out on crowd and mart?
Who prates of stream and sea?
The summer in the City's heart
That is enough for me."
--_Amy Levy_: "_A London Plane Tree._"
The City is, by common consent, the most interesting and vital part of
the metropolis,--interesting, not only for its past,--but for its
present; ever-living,--eternally renewed;--a never-ceasing, impetuous,
Niagara of energy and power. It is the pulse,--or rather the
aorta,--of the tremendous machine of London; through its crowded veins
rushes the life-blood of commerce, of industry, of wealth, that feeds
and stimulates not only the town, but also the country and the nation.
Through its ancient and narrow highways, crowds of black-coated human
ants hurry, day by day, eager in pursuit of money, of power, and of
their daily bread.
And yet, curiously enough, it is close by these very crowded
thoroughfares of human life and energy, that the most secluded haunts
of peace may be found; calm "backwaters," all deserted and forgotten
by the flowing stream that runs so near them; tiny spots of
unsuspected greenery and ancient stone, absolutely startling in their
quiet proximity to the surrounding din and whirl. Though the area of
the "City," so-called, is but small, yet it abounds in such peaceful,
undreamed-of spots; places where the painter may set up his easel, or
even the photographer his camera, without fear of let or hindrance.
Secluded bits of ancient churchyard, portions of long-forgotten
convent garden, of old wall or bastion, or of antique plane-tree
grove; it is such nooks as these that, even more than in Kensington
Gardens, suggest Matthew Arnold's lovely lines:
"Calm soul of all things! make it mine
To feel, above the city's jar,
That there abides a peace of thine
Man did not make and cannot mar."
Public-domain text, read in full here on John Shaqi.
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