St. Saviour's, as it is now, is one of the most striking churches in London; its interior appeals at once to the eye and to the imagination. The long aisles are restful and harmonious; the Early-English architecture is severely pure; the fine effect of the beautifully-restored nave and transepts is not, as too often in Westminster Abbey, spoiled by the introduction of ornate tombs and sprawling angels. The church, restored by Blomfield in 1890-96, is already a collegiate church, and is worthy to become, as it probably will, the cathedral for South London. Its level, as is the case with many ancient buildings, is now considerably lower than the surrounding ground; a fact testified by the steps necessary to descend into its precincts from the street, and by the very unpoetic railway, carried well above it and its adjoining vegetable market (the Borough Market). For this is a strangely busy and noisy spot to have sheltered for so long this relic of the Middle Age. The tombs in the church are mainly in the transepts, and are nearly all of them interesting. The finely-restored "Lady Chapel," behind the altar, contains the tomb of Lancelot Andrewes, Bishop of Winchester, with a long Latin inscription of 1626; a recumbent painted effigy, on a black-and-white marble tomb. This Lady Chapel has tragic associations; it was used in the time of "Bloody Mary" as the Consistorial Court of Gardiner, Bishop of Winchester; and here those sturdy martyrs, Bishop Hooper and John Rogers, Vicar of St. Sepulchre's, were condemned to be burnt (the popular feeling for Rogers being such as necessitated his removal by night secretly to Newgate). The most famous grave in St. Saviour's is that of John Gower, the fourteenth-century poet, and friend of Chaucer. Here, near the east end of the north wall of the nave, the effigy of the poet, painted, like that of Lancelot Andrewes, a figure of striking beauty, lies on a sarcophagus under a rich gabled canopy. Stow thus describes the monument: "He lieth under a tomb of stone, with his image, also of stone, over him; the hair of his head, auburn, long to his shoulders but curling up, and a small forked beard; on his head a chaplet like a coronet of four roses; a habit of purple, damasked down to his feet; a collar of esses gold about his neck; under his head the likeness of three books which he compiled." Gower was a rich man for a poet, and gave large sums in his time for the rebuilding of the church; hence was written the following epigram: "This church was rebuilt by John Gower, the rhymer, Who in Richard's gay court was a fortunate climber; Should any one start, 'tis but right he should know it, Our wight was a lawyer as well as a poet." Gower's three chief works, on which his head rests, are his _Vox Clamantis_, _Speculum Meditantis_, and _Confessio Amantis_.