Many other curious tombs and epitaphs are in this church. One, especially, of the latter, a tablet to a little girl of ten, Susanna Barford,--a child the "Non such of the world for piety and vertue in soe tender yeares,"--tells how: "Such grace the King of Kings bestow'd upon her That now shee lives with him a maid of honour." And in the north transept, there is a curious monument to Dr. Lionel Lockyer, the pill inventor--a large bewigged, reclining figure of Charles II.'s time--suffering, apparently, despite his infallible nostrums, from terrible internal spasms. Perhaps, however, these may bear some mystic reference to the long accompanying epitaph about "undying Pills," showing that already in the seventeenth century advertisement could be strong even in death! Close to Lockyer's tomb are heaped up a number of strange wooden painted gargoyles or "bosses," preserved and brought here from the fallen-in fifteenth-century roof of the nave, some of them bearing most weird devices. One, conceived apparently in the Dantesque spirit, represents a giant, or devil, "champing" a half-eaten sinner,--the lower half of whom, dressed in gaudy colours, projects from the large vermilion mouth,--in great enjoyment. Other "bosses" show the curious painted "rebuses" of the period, commemorating a prior's name. The seventeenth-century monument to the Austin family, also in this transept, is full of quaint imagery and symbolism. The figures of its sleeping angels with winnowing-forks, waiting on each side for the great final harvest, are full of beauty. "Edmund Shakespear, player," and brother of the poet,--Fletcher,--and Massinger,--are buried here; three stones in the choir bear their names; the exact place of their graves is not known.