Mair and Reade and others were having an influence, however, in holding up the ideal of authentic literary creation in Canada while during that decade and the following decade a group of young native-born Canadians were growing into manhood, and were having engendered in their hearts and imagination a distinct innate sentiment of Canadian nationality and were to become the first native-born group of _systematic_ poets and prose writers in Canada. Their work, in poetry and prose, may fairly be signalized as the First Renaissance in Canadian Literature. This group, for the purposes of literary history, we have denominated the Systematic School of Canadian poets and prose writers. For with the publication of Chas. G. D. Roberts’ _Orion and Other Poems_ in 1880, a native-born leader for native-born men and women of letters appeared in Canada; and with the publication of Roberts’ _In Divers Tones_ in 1887 in Canada (in U. S. 1886), there appeared at length the first ‘Voice’ of the Spirit of Canada, expressed in poetic literature, artistic in structure and noble in inspiration. The authentic beginning of strictly so-called Canadian Literature in English must, therefore, be dated from 1887. Roberts and his colleagues, Lampman, Carman, Campbell, D. C. Scott, F. G. Scott, Pauline Johnson, Gilbert Parker and Marshall Saunders are designated the Systematic School of Canadian poets and prose writers. The First Renaissance in Canadian Native and National Literature may be said to close either with the publication of Pauline Johnson’s last volume of poems, _Canadian Born_, in 1903, or with the publication of Robert Service’s first volume of verse, _Songs of a Sourdough_ (1907). By this is not meant that after twenty years of leadership and influence the first Systematic Group had not continued to hold up the ideal to the younger or later Canadian poets and prose writers or that there were no Canadian poets and prose writers who were continuing the older ideal and tradition. As a matter of fact, the creative and artistic ideals of the first group of systematic poets and prose writers had become engendered in the aesthetic and artistic conscience of the younger or later men and women of letters in Canada; and the poetry and prose produced by the younger or later Canadian men and women of letters were notably refined in sentiment, beautiful in structure and imagery, and noble in spiritual substance and appeal. They continued, and still continue, as do also Roberts, Carman, Duncan Campbell Scott and the other living members of the original Systematic Group, the tradition of aesthetic and artistic verse and prose.