But in 1907 another singing voice was heard; and there developed a group of poetasters and picaresque fictionists whose leader was Robert Service. Their special literary _métier_ was verse, though Service and his literary _confrères_ also essayed fiction. This group we call the Vaudeville School of Canadian Poetry. Its vogue lasted for an insignificant period of five years, or from 1908 up to the beginning of the Great World War. In 1913 appeared a new group of younger Canadian poets and prose writers, who may be regarded as having begun the Second Renaissance in Canadian literature. They inaugurated, as it were, a Restoration Period in Canadian literature, inasmuch as, with some changes in ideals of form and craftsmanship, they essentially ‘restored’ the literary principles and aims of the First Renaissance Group. All these distinctions in nomenclature and dates are, of course, only used for expository or pedagogical purposes. Accordingly, it is convenient to mark the beginning of the Second Renaissance, or the Restoration Period, in Canadian Literature with the publication of Marjorie Pickthall’s first volume of verse, _Drift of Pinions_, in 1913. This period in Canadian Literature in English is still in process. It is showing definitive originality in several ways, including original developments in modernity of theme and moral substance, in formal novelty, and in fresh expression of neglected or hitherto unessayed literary _genres_, such as, for instance, poetic and stage drama, and essays strictly in _belles-lettres_. Contemporary with the poets of this period is a group of fictionists, who have produced and are producing novels, romances, and tales which are Canadian in theme, in social background, and in color. This group may be distinguished as the Realistic School of Canadian Fiction.