Hildreth's "Japan as It Was and Is": A Handbook of Old Japan, Volume 2 (of 2)Hildreth, Richard
History
Hildreth's "Japan as It Was and Is": A Handbook of Old Japan, Volume 2 (of 2)
Hildreth, Richard
Japan -- History
“Another sort we met with as we went along were differently clad, some
in an ecclesiastical, others in a secular habit. These stood in the
fields, next to the road, and commonly had a sort of altar standing
before them, upon which they placed the idol of their Briaréus, or
Kwannon, as they call him, carved in wood and gilt; or the pictures
of some other idols, scurvily done, as, for instance, the picture of
Amida, the supreme judge of departed souls; of Emma, or the head-keeper
of the prison, whereunto the condemned souls are confined; of _Jizō_,
or the supreme commander in the purgatory of children; and some others,
wherewith, and by some representations of the flames and torments
prepared for the wicked in a future world, they endeavor to stir up in
passengers compassion and charity.
“Other beggars, and these, to all appearance, honest enough, are met
sitting along the road, clad much after the same manner with the
Kwannon beggars, with a _Jizō_ staff in their hand. These have made vow
not to speak during a certain time, and express their want and desire
only by a sad, dejected, woeful countenance.[6]
“Not to mention numberless other common beggars, some sick, some stout
and lusty enough, who get people’s charity by praying, singing, playing
upon fiddles, guitars, and other musical instruments, or performing
some juggler’s tricks, I will close the account of this vermin with an
odd, remarkable sort of a beggar’s music, or rather chime of bells, we
sometimes, but rarely, met with in our journey to court. A young boy,
with a sort of a wooden machine pendent from his neck, and a rope, with
eight strings about it, from which hang down eight bells, of different
sounds, turns round in a circle, with a swiftness scarce credible, in
such a manner that both the machine, which rests upon his shoulders,
and the bells, turn round with him horizontally, the boy, in the
meanwhile, with great dexterity and quickness, beating them with two
hammers, makes a strange, odd sort of a melody. To increase the noise,
two people sitting near him beat, one upon a large, the other upon a
smaller drum. Those who are pleased with their performance throw them
some zeni as they pass.[7]
“The crowd and throng upon the roads is not a little increased by
numberless small retail merchants, and children of country people, who
run about from morning to night, following travellers, and offering
them for sale their poor, for the most part eatable, merchandise,—such
as several cakes and sweetmeats, wherein the quantity of sugar is so
inconsiderable that it is scarce perceptible, other cakes, of different
sorts, made of flour, roots boiled in water and salt, road-books, straw
shoes for horses and men, ropes, strings, toothpickers, and a multitude
of other trifles, made of wood, straw, reed, and bamboos.
Public-domain text, read in full here on John Shaqi.
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