Hindoo Tales; Or, the Adventures of Ten Princes — John Shaqi
Hindoo Tales; Or, the Adventures of Ten PrincesDandin, active 7th century
General
Hindoo Tales; Or, the Adventures of Ten Princes
Dandin, active 7th century
Sanskrit literature -- Translations into English; Tales -- India
Then, having given the necessary directions, the conjurer went his
way. Râjavâhana also returned to the house, and when he had given
Bâlachandrika, who came again in the evening, the directions received
from the conjurer, and a loving message of encouragement for the
princess, he anxiously awaited the morrow, unable to sleep from the
thought of the expected happiness, and fluctuating between alternate
hopes and fears. In the morning, Vidyeswara, having collected a large
troop of followers, went to the palace and announced himself to the
doorkeeper, saying, "Tell the king the great conjurer is arrived."
Mânasâra, who had heard of his great skill, and was desirous of seeing
it, ordered him to be immediately admitted, and, after the usual
salutations, the performance began.
First, while the band was playing, peacocks' tails were waving, and
singers imitating the plaintive notes of birds, to excite the feelings
and distract the attention of the hearers, the conjurer turned round
violently several times, with his eyes half-closed, and caused great
hooded serpents to appear and vultures to come down from the sky to
seize them.
After this, he represented the scene of Vishnu killing Hiranyakasipu,
chief of the Asuras, to the great astonishment of the spectators;
then, turning to the king, he said, "It is desirable that the
performance should end with something auspicious; I propose,
therefore, to represent a royal marriage, and one of my people will
act as your daughter, another as a prince, endowed with all good
qualities. But first I must apply to your eyes this ointment, which
will give you preternatural clearness of vision." To all this the king
consented.
Meanwhile, the princess had contrived to slip out unobserved, and
stood among the conjurer's people. Râjavâhana also stood ready, and
the performance began. Thus, under the disguise of a piece of acting,
the conjurer, being a brahman, was able to complete the marriage with
all proper rites and ceremonies without any suspicion on the part of
the king that it was his own daughter whom he saw before him; and the
others, also unsuspecting, only admired the skill of the conjurer in
making the actress so like the lady whom she represented. When the
performance was ended, the conjurer, having been liberally rewarded by
the king, dismissed his hired attendants and departed.
In the confusion and excitement caused by the conjurer's performance,
Râjavâhana and the princess slipped unnoticed into her apartments,
where he was safe, for the present at least, her attendants being all
devoted to her, and careful to keep the secret.
He was thus able to enjoy the society of his bride without
interruption; to give her a full account of his life and adventures,
and to teach her many things of which she was ignorant; so that she
became more and more attached to him, and admired his knowledge and
eloquence as much as she had before admired his beauty.
* * * * *
Public-domain text, read in full here on John Shaqi.
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