This aged dignitary is a little bit of invention, the real hero of the incident having been a certain M. Leciel, an _adjoint_ to the Mayor of Compiègne, who subsequently got into hot water with the Empress owing to his partiality for irreverent witticisms which usually turned upon his own name. In English we might have called him Mr. Heaven. His residence at Compiègne adjoined the somewhat dirty little inn of the Holy Ghost, which it was at one time proposed to demolish in order to build a new theatre, which was to have been connected with the château by means of a suspension bridge. This gave M. Leciel an opportunity for a most deplorable pun concerning himself and the inn, which he calmly repeated to the Empress, who was considerably incensed thereat. And in the result M. Leciel received no further invitations to the château. But I must pass from Compiègne to M. Zola's next chapter, in which he deals, indirectly, with the famous Orsini conspiracy. Here we find a story of how the authorities were warned of the approaching attempt at assassination--a story which I have heard told by M. Claude, the famous ex-chief of the detective police, when I was his neighbour at Vincennes in 1881. Something similar, I believe, figures in the so-called _Mémoires de M. Claude_, but these, based on Claude's papers, which were 'worked up' after his death by an imaginative penny-a-liner, are worthy of little or no credence. It is, however, certain that the French authorities were not only warned from London about the Orsini plot, but obtained additional information in the manner described by M. Zola, and that the incident became the stepping-stone of Claude's subsequent fortune. In _His Excellency_ the Orsini affair is followed by Rougon's return to power. For Rougon one should here read General Espinasse, to whom the Emperor undoubtedly addressed the words: 'No moderation; you must make yourself feared.' All that M. Zola says of the wholesale arrests of French Republicans at that time is quite true. Even the brief interview of the Prefect of the Somme with Rougon is based on historical documents; while that in which figures the editor whose newspaper publishes a story of feminine infidelity is derived from the autobiography of Henri de Villemessant.