It is needless for me to enlarge upon the subject; I have only mentioned it in corroboration of the portrait of Napoleon III. which M. Zola traces in _His Excellency_. The Emperor was an immoral man--the Beauharnais if not the Bonaparte blood coursed in his veins--and the names of several of his mistresses are perfectly well known. For the rest, M. Zola pictures him very accurately: moody, reserved, with vague humanitarian notions, and as great a predilection for secret police spying as was evinced by Louis XV. The intrigue between him and M. Zola's heroine, Clorinde, is no extravagant notion. Here again a large amount of actual fact is skilfully blended with a little fiction. Clorinde Balbi at once suggests the beautiful Countess de Castiglione; but in the account of her earlier career one finds a suggestion of the behaviour which innumerable scandalmongers impute--wrongly, I believe--to the Empress Eugénie. In Clorinde's mother, the Contessa Balbi, there is more than a suggestion of Madame de Montijo, who was undoubtedly an adventuress of good birth. Both the Balbis are very cleverly drawn; they typify a class of women that has long flourished in France, where it still has some notorious representatives. It is a class of great popularity with novelists and playwrights, possibly because contemporary history has furnished so many examples of it, from the aforementioned Countess de Castiglione who laid siege to Napoleon III. in order to induce him to further the designs of Cavour and Victor Emmanuel, to the Baroness de Kaulla, who ensnared poor General de Cissey that she might extract from him the military and Foreign Office secrets of France. And with half-a-dozen historical instances in my mind, I find no exaggeration in the character of Clorinde as portrayed in _His Excellency_.