Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
‘You may imagine how I felt under the doorway,’ concluded Christine.
‘I knew well enough that I was not at Passy, and that I should have to
spend the night there, in this terrible Paris. And there was the thunder
and the lightning--those horrible blue and red flashes, which showed me
things that made me tremble.’
She closed her eyelids once more, she shivered, and the colour left her
cheeks as, in her fancy, she again beheld the tragic city--that line
of quays stretching away in a furnace-like blaze, the deep moat of the
river, with its leaden waters obstructed by huge black masses, lighters
looking like lifeless whales, and bristling with motionless cranes which
stretched forth gallows-like arms. Was that a welcome to Paris?
Again did silence fall. Claude had resumed his drawing. But she became
restless, her arm was getting stiff.
‘Just put your elbow a little lower, please,’ said Claude. Then, with an
air of concern, as if to excuse his curtness: ‘Your parents will be very
uneasy, if they have heard of the accident.’
‘I have no parents.’
‘What! neither father nor mother? You are all alone in the world?’
‘Yes; all alone.’
She was eighteen years old, and had been born in Strasburg, quite by
chance, though, between two changes of garrison, for her father was a
soldier, Captain Hallegrain. Just as she entered upon her twelfth year,
the captain, a Gascon, hailing from Montauban, had died at Clermont,
where he had settled when paralysis of the legs had obliged him to
retire from active service. For nearly five years afterwards, her
mother, a Parisian by birth, had remained in that dull provincial town,
managing as well as she could with her scanty pension, but eking it
out by fan-painting, in order that she might bring up her daughter as a
lady. She had, however, now been dead for fifteen months, and had left
her child penniless and unprotected, without a friend, save the Superior
of the Sisters of the Visitation, who had kept her with them. Christine
had come straight to Paris from the convent, the Superior having
succeeded in procuring her a situation as reader and companion to her
old friend, Madame Vanzade, who was almost blind.
At these additional particulars, Claude sat absolutely speechless. That
convent, that well-bred orphan, that adventure, all taking so romantic
a turn, made him relapse into embarrassment again, into all his former
awkwardness of gesture and speech. He had left off drawing, and sat
looking, with downcast eyes, at his sketch.
‘Is Clermont pretty?’ he asked, at last.
‘Not very; it’s a gloomy town. Besides, I don’t know; I scarcely ever
went out.’
She was resting on her elbow, and continued, as if talking to herself in
a very low voice, still tremulous from the thought of her bereavement.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account