Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
‘Mamma, who wasn’t strong, killed herself with work. She spoilt me;
nothing was too good for me. I had all sorts of masters, but I did not
get on very well; first, because I fell ill, then because I paid no
attention. I was always laughing and skipping about like a featherbrain.
I didn’t care for music, piano playing gave me a cramp in my arms. The
only thing I cared about at all was painting.’
He raised his head and interrupted her. ‘You can paint?’
‘Oh, no; I know nothing, nothing at all. Mamma, who was very talented,
made me do a little water-colour, and I sometimes helped her with the
backgrounds of her fans. She painted some lovely ones.’
In spite of herself, she then glanced at the startling sketches with
which the walls seemed ablaze, and her limpid eyes assumed an uneasy
expression at the sight of that rough, brutal style of painting. From
where she lay she obtained a topsy-turvy view of the study of herself
which the painter had begun, and her consternation at the violent tones
she noticed, the rough crayon strokes, with which the shadows were
dashed off, prevented her from asking to look at it more closely.
Besides, she was growing very uncomfortable in that bed, where she lay
broiling; she fidgetted with the idea of going off and putting an end to
all these things which, ever since the night before, had seemed to her
so much of a dream.
Claude, no doubt, became aware of her discomfort. A sudden feeling of
shame brought with it one of compunction.
He put his unfinished sketch aside, and hastily exclaimed: ‘Much obliged
for your kindness, mademoiselle. Forgive me, I have really abused it.
Yes, indeed, pray get up; it’s time for you to look for your friends.’
And without appearing to understand why she did not follow his advice,
but hid more and more of her bare arm in proportion as he drew nearer,
he still insisted upon advising her to rise. All at once, as the real
state of things struck him, he swung his arms about like a madman, set
the screen in position, and went to the far end of the studio, where he
began noisily setting his crockery in order, so that she might jump out
and dress herself, without fear of being overheard.
Amidst the din he had thus raised, he failed to hear her hesitating
voice, ‘Monsieur, monsieur--’
At last he caught her words.
‘Monsieur, would you be so kind--I can’t find my stockings.’
Public-domain text, read in full here on John Shaqi.
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