Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
Claude hurried forward. What had he been thinking of? What was she to do
behind that screen, without her stockings and petticoats, which he had
spread out in the sunlight? The stockings were dry, he assured himself
of that by gently rubbing them together, and he handed them to her over
the partition; again noticing her arm, bare, plump and rosy like that of
a child. Then he tossed the skirts on to the foot of the bed and pushed
her boots forward, leaving nothing but her bonnet suspended from the
easel. She had thanked him and that was all; he scarcely distinguished
the rustling of her clothes and the discreet splashing of water. Still
he continued to concern himself about her.
‘You will find the soap in a saucer on the table. Open the drawer and
take a clean towel. Do you want more water? I’ll give you the pitcher.’
Suddenly the idea that he was blundering again exasperated him.
‘There, there, I am only worrying you. I will leave you to your own
devices. Do as if you were at home.’
And he continued to potter about among the crockery. He was debating
with himself whether he should ask her to stay to breakfast. He ought
not to let her go like that. On the other hand, if she did stay, he
would never get done; it would mean a loss of his whole morning. Without
deciding anything, as soon as he had lighted his spirit lamp, he washed
his saucepan and began to make some chocolate. He thought it more
_distingué_, feeling rather ashamed of his vermicelli, which he mixed
with bread and soused with oil as people do in the South of France.
However, he was still breaking the chocolate into bits, when he uttered
a cry of surprise, ‘What, already?’
It was Christine, who had pushed back the screen, and who appeared
looking neat and correct in her black dress, duly laced and buttoned
up, equipped, as it were, in a twinkle. Her rosy face did not even show
traces of the water, her thick hair was twisted in a knot at the back
of her head, not a single lock out of place. And Claude remained
open-mouthed before that miracle of quickness, that proof of feminine
skill in dressing well and promptly.
‘The deuce, if you go about everything in that way!’ said he.
He found her taller and handsomer than he had fancied. But what struck
him most was her look of quiet decision. She was evidently no longer
afraid of him. It seemed as though she had re-donned her armour and
become an amazon again. She smiled and looked him straight in the face.
Whereupon he said what he was still reluctant to say:
‘You’ll breakfast with me, won’t you?’
But she refused the offer. ‘No, thank you. I am going to the station,
where my trunk must have arrived by now, and then I shall drive to
Passy.’
It was in vain that he told her that she must be hungry, that it was
unreasonable for her to go out without eating something.
‘Well, if you won’t, I’ll go down and fetch you a cab,’ he ended by
exclaiming.
‘Pray don’t take such trouble.’
Public-domain text, read in full here on John Shaqi.
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