Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
CLAUDE was passing in front of the Hôtel de Ville, and the clock was
striking two o’clock in the morning when the storm burst forth. He had
been roaming forgetfully about the Central Markets, during that burning
July night, like a loitering artist enamoured of nocturnal Paris.
Suddenly the raindrops came down, so large and thick, that he took to
his heels and rushed, wildly bewildered, along the Quai de la Grève. But
on reaching the Pont Louis Philippe he pulled up, ragefully breathless;
he considered this fear of the rain to be idiotic; and so amid the
pitch-like darkness, under the lashing shower which drowned the
gas-jets, he crossed the bridge slowly, with his hands dangling by his
side.
He had only a few more steps to go. As he was turning on to the Quai
Bourbon, on the Isle of St. Louis, a sharp flash of lightning illumined
the straight, monotonous line of old houses bordering the narrow road
in front of the Seine. It blazed upon the panes of the high, shutterless
windows, showing up the melancholy frontages of the old-fashioned
dwellings in all their details; here a stone balcony, there the railing
of a terrace, and there a garland sculptured on a frieze. The painter
had his studio close by, under the eaves of the old Hôtel du Martoy,
nearly at the corner of the Rue de la Femme-sans-Tête.* So he went
on while the quay, after flashing forth for a moment, relapsed into
darkness, and a terrible thunder-clap shook the drowsy quarter.
* The street of the Headless woman.--ED.
When Claude, blinded by the rain, got to his door--a low, rounded door,
studded with iron--he fumbled for the bell knob, and he was exceedingly
surprised--indeed, he started--on finding a living, breathing body
huddled against the woodwork. Then, by the light of a second flash, he
perceived a tall young girl, dressed in black, and drenched already, who
was shivering with fear. When a second thunder-clap had shaken both of
them, Claude exclaimed:
‘How you frighten one! Who are you, and what do you want?’
He could no longer see her; he only heard her sob, and stammer:
‘Oh, monsieur, don’t hurt me. It’s the fault of the driver, whom I hired
at the station, and who left me at this door, after ill-treating me.
Yes, a train ran off the rails, near Nevers. We were four hours late,
and a person who was to wait for me had gone. Oh, dear me; I have never
been in Paris before, and I don’t know where I am....’
Public-domain text, read in full here on John Shaqi.
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