Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
Another blinding flash cut her short, and with dilated eyes she stared,
terror-stricken, at that part of the strange capital, that violet-tinted
apparition of a fantastic city. The rain had ceased falling. On the
opposite bank of the Seine was the Quai des Ormes, with its small grey
houses variegated below by the woodwork of their shops and with their
irregular roofs boldly outlined above, while the horizon suddenly became
clear on the left as far as the blue slate eaves of the Hôtel de Ville,
and on the right as far as the leaden-hued dome of St. Paul. What
startled her most of all, however, was the hollow of the stream, the
deep gap in which the Seine flowed, black and turgid, from the heavy
piles of the Pont Marie, to the light arches of the new Pont Louis
Philippe. Strange masses peopled the river, a sleeping flotilla of small
boats and yawls, a floating washhouse, and a dredger moored to the quay.
Then, farther down, against the other bank, were lighters, laden with
coals, and barges full of mill stone, dominated as it were by the
gigantic arm of a steam crane. But, suddenly, everything disappeared
again.
Claude had an instinctive distrust of women--that story of an accident,
of a belated train and a brutal cabman, seemed to him a ridiculous
invention. At the second thunder-clap the girl had shrunk farther still
into her corner, absolutely terrified.
‘But you cannot stop here all night,’ he said.
She sobbed still more and stammered, ‘I beseech you, monsieur, take me
to Passy. That’s where I was going.’
He shrugged his shoulders. Did she take him for a fool? Mechanically,
however, he turned towards the Quai des Célestins, where there was a
cabstand. Not the faintest glimmer of a lamp to be seen.
‘To Passy, my dear? Why not to Versailles? Where do you think one can
pick up a cab at this time of night, and in such weather?’
Public-domain text, read in full here on John Shaqi.
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