Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
Both were getting out of breath. The band of embryo architects, without
slackening their pace, had purposely taken the longest way round for the
pleasure of prolonging their uproar. After rushing down the Rue du Four,
they dashed across the Place Gozlin and swept into the Rue de l’Echaude.
Heading the procession was the truck, drawn and pushed along more and
more vigorously, and constantly rebounding over the rough paving-stones,
amid the jolting of the frames with which it was laden. Its escort
galloped along madly, compelling the passers-by to draw back close to
the houses in order to save themselves from being knocked down; while
the shop-keepers, standing open-mouthed on their doorsteps, believed
in a revolution. The whole neighbourhood seemed topsy-turvy. In the
Rue Jacob, such was the rush, so frightful were the yells, that several
house shutters were hastily closed. As the Rue Bonaparte was, at last,
being reached, one tall, fair fellow thought it a good joke to catch
hold of a little servant girl who stood bewildered on the pavement, and
drag her along with them, like a wisp of straw caught in a torrent.
‘Well,’ said Claude, ‘good-bye, then; I’ll see you to-night.’
‘Yes, to-night.’
The painter, out of breath, had stopped at the corner of the Rue des
Beaux Arts. The court gates of the Art School stood wide open in front
of him, and the procession plunged into the yard.
After drawing breath, Claude retraced his steps to the Rue de Seine. His
bad luck was increasing; it seemed ordained that he should not be able
to beguile a chum from work that morning. So he went up the street, and
slowly walked on as far as the Place du Pantheon, without any definite
aim. Then it occurred to him that he might just look into the Municipal
Offices, if only to shake hands with Sandoz. That would, at any rate,
mean ten minutes well spent. But he positively gasped when he was told
by an attendant that M. Sandoz had asked for a day off to attend a
funeral. However, he knew the trick of old. His friend always found the
same pretext whenever he wanted to do a good day’s work at home. He had
already made up his mind to join him there, when a feeling of artistic
brotherliness, the scruple of an honest worker, made him pause; yes, it
would be a crime to go and disturb that good fellow, and infect him with
the discouragement born of a difficult task, at the very moment when he
was, no doubt, manfully accomplishing his own work.
Public-domain text, read in full here on John Shaqi.
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