Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
‘It’s I, Madame Joseph,’ cried Claude to the doorkeeper. Then he added,
in a whisper, ‘Give me your hand, we have to cross the courtyard.’
The girl did as she was told; she no longer resisted; she was
overwhelmed, worn out. Once more they encountered the diluvian rain, as
they ran side by side as hard as they could across the yard. It was a
baronial courtyard, huge, and surrounded with stone arcades, indistinct
amidst the gloom. However, they came to a narrow passage without a
door, and he let go her hand. She could hear him trying to strike some
matches, and swearing. They were all damp. It was necessary for them to
grope their way upstairs.
‘Take hold of the banisters, and be careful,’ said Claude; ‘the steps
are very high.’
The staircase, a very narrow one, a former servants’ staircase, was
divided into three lofty flights, which she climbed, stumbling, with
unskilful, weary limbs. Then he warned her that they had to turn down a
long passage. She kept behind him, touching the walls on both sides with
her outstretched hands, as she advanced along that endless passage which
bent and came back to the front of the building on the quay. Then there
were still other stairs right under the roof--creaking, shaky wooden
stairs, which had no banister, and suggested the unplaned rungs of
a miller’s ladder. The landing at the top was so small that the girl
knocked against the young man, as he fumbled in his pocket for his key.
At last, however, he opened the door.
‘Don’t come in, but wait, else you’ll hurt yourself again.’
She did not stir. She was panting for breath, her heart was beating
fast, there was a buzzing in her ears, and she felt indeed exhausted
by that ascent in the dense gloom. It seemed to her as if she had been
climbing for hours, in such a maze, amidst such a turning and twisting
of stairs that she would never be able to find her way down again.
Inside the studio there was a shuffling of heavy feet, a rustling of
hands groping in the dark, a clatter of things being tumbled about,
accompanied by stifled objurgations. At last the doorway was lighted up.
‘Come in, it’s all right now.’
She went in and looked around her, without distinguishing anything. The
solitary candle burned dim in that garret, more than fifteen feet high,
and filled with a confused jumble of things whose big shadows showed
fantastically on the walls, which were painted in grey distemper. No,
she did not distinguish anything. She mechanically raised her eyes
to the large studio-window, against which the rain was beating with a
deafening roll like that of a drum, but at that moment another flash
of lightning illumined the sky, followed almost immediately by a
thunder-clap that seemed to split the roof. Dumb-stricken, pale as
death, she dropped upon a chair.
‘The devil!’ muttered Claude, who also was rather pale. ‘That clap
wasn’t far off. We were just in time. It’s better here than in the
streets, isn’t it?’
Public-domain text, read in full here on John Shaqi.
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