Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
Her only answer was a shriek; for a fresh flash of lightning had almost
blinded her, and this time the tragic city had seemed to her to be
spattered with blood. An immense chasm had been revealed, the two
arms of the river stretching far away amidst the lurid flames of a
conflagration. The smallest details had appeared: the little closed
shutters of the Quai des Ormes, and the two openings of the Rue de la
Masure, and the Rue du Paon-Blanc, which made breaks in the line of
frontages; then near the Pont Marie one could have counted the leaves
on the lofty plane trees, which there form a bouquet of magnificent
verdure; while on the other side, beneath the Pont Louis Philippe, at
the Mail, the barges, ranged in a quadruple line, had flared with the
piles of yellow apples with which they were heavily laden. And there
was also the ripple of the water, the high chimney of the floating
washhouse, the tightened chain of the dredger, the heaps of sand on the
banks, indeed, an extraordinary agglomeration of things, quite a little
world filling the great gap which seemed to stretch from one horizon to
the other. But the sky became dark again, and the river flowed on, all
obscurity, amid the crashing of the thunder.
‘Thank heaven it’s over. Oh, heaven! what’s to become of me?’
Just then the rain began to fall again, so stiffly and impelled by so
strong a wind that it swept along the quay with the violence of water
escaping through an open lock.
‘Come, let me get in,’ said Claude; ‘I can stand this no longer.’
Both were getting drenched. By the flickering light of the gas lamp at
the corner of the Rue de la Femme-sans-Tête the young man could see the
water dripping from the girl’s dress, which was clinging to her skin, in
the deluge that swept against the door. He was seized with compassion.
Had he not once picked up a cur on such a stormy night as this? Yet he
felt angry with himself for softening. He never had anything to do with
women; he treated them all as if ignorant of their existence, with a
painful timidity which he disguised under a mask of bravado. And that
girl must really think him a downright fool, to bamboozle him with that
story of adventure--only fit for a farce. Nevertheless, he ended by
saying, ‘That’s enough. You had better come in out of the wet. You can
sleep in my rooms.’
But at this the girl became even more frightened, and threw up her arms.
‘In your rooms? Oh! good heavens. No, no; it’s impossible. I beseech
you, monsieur, take me to Passy. Let me beg of you.’
But Claude became angry. Why did she make all this fuss, when he was
willing to give her shelter? He had already rung the bell twice. At last
the door opened and he pushed the girl before him.
‘No, no, monsieur; I tell you, no--’
But another flash dazzled her, and when the thunder growled she bounded
inside, scarce knowing what she was about. The heavy door had closed
upon them, she was standing under a large archway in complete darkness.
Public-domain text, read in full here on John Shaqi.
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