Historic buildings : $b as seen and described by great writers
History
Historic buildings : $b as seen and described by great writers
Architecture -- History; Art -- Study and teaching; Historic buildings
After having thoroughly enjoyed this most attractive spectacle, we go
on towards the second enclosure. It is raised a few steps higher than
the first, and, as it is protected by an additional sanctity, it is
only to be approached through the gate of the divine guardians of the
sanctuary. This building, which stands opposite the bridges, contains
two monstrous idols, placed side by side in the centre of the edifice.
They are sculptured in wood, and are covered from head to foot with a
thick coating of vermilion. Their grinning faces and their enormous
busts are spotted all over with innumerable pieces of chewed paper,
which the native visitors throw at them when passing, without any
more formality than would be used by a number of schoolboys out for a
holiday. Nevertheless, it is considered a very serious act on the part
of the pilgrims. It is the means by which they make the prayer written
on the sheet of chewed paper reach its address, and when they wish to
recommend anything to the gods very strongly indeed, they bring as an
offering a pair of straw slippers plaited with regard to the size of
the feet of the Colossus, and hang them on the iron railings within
which the statues are enclosed. Articles of this kind, suspended by
thousands to the bars, remain there until they fall away in time, and
it may be supposed that this curious ornamentation is anything but
beautiful.
Here a lay brother of the bonzes approached us, and his interested
views were easily enough detected by his bearing. We hastened to
assure him that we required nothing from his good offices, except
access to an enclosed building. With a shake of his head, so as to
make us understand that we were asking for an impossibility, he simply
set himself to follow us about with the mechanical precision of a
subaltern. He was quite superfluous, but we did not allow his presence
to interfere with our admiration. A high terrace, reached by a long
stone staircase, surmounted the second enclosure. It is sustained by a
Cyclopean wall, and in its turn supports the principal Temple as well
as the habitations of the bonzes. The grey roofs of all these different
buildings stand out against the sombre forest of cedars and pines. On
our left are the buildings of the Treasury; one of them has a pyramidal
roof surmounted by a turret of bronze most elegantly worked. At the
foot of the great terrace is the Chapel of the Ablutions. On our right
stands a tall pagoda, constructed on the principle of the Chinese
pagodas, but in a more sober and severe style. The first stage, of a
quadrangular form, is supported by pillars; the second stage consists
of a vast circular gallery which, though extremely massive, seems to
rest simply upon a pivot. A painted roof, terminated by a tall spire of
cast bronze, embellished with pendants of the same metal, completes the
effect of this strange but exquisitely proportioned building.
Public-domain text, read in full here on John Shaqi.
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