Is history a study of real use in practical, and especially in political, life? The question, as you know, has been by no means always answered in the same way. In its earlier stages history was regarded chiefly as a form of poetry recording the more dramatic actions of kings, warriors, and statesmen. Homer and the early ballads are indeed the first historians of their countries, and long after Homer one of the most illustrious of the critics of antiquity described history as merely 'poetry free from the incumbrance of verse.' The portraits that adorned it gave some insight into human character; it breathed noble sentiments, rewarded and stimulated noble actions, and kindled by its strong appeals to the imagination high patriotic feeling; but its end was rather to paint than to guide, to consecrate a noble past than to furnish a key for the future; and the artist in selecting his facts looked mainly for those which could throw the richest colour upon his canvas. Most experience was in his eyes (to adopt an image of Coleridge) like the stern light of a ship, which illuminates only the path we have already traversed; and a large proportion of the subjects which are most significant as illustrating the true welfare and development of nations were deliberately rejected as below the dignity of history. The old conception of history can hardly be better illustrated than in the words of Savage Landor. 'Show me,' he makes one of his heroes say, 'how great projects were executed, great advantages gained, and great calamities averted. Show me the generals and the statesmen who stood foremost, that I may bend to them in reverence.... Let the books of the Treasury lie closed as religiously as the Sibyl's. Leave weights and measures in the market-place; Commerce in the harbour; the Arts in the light they love; Philosophy in the shade. Place History on her rightful throne, and at the sides of her Eloquence and War.'[1] It was chiefly in the eighteenth century that a very different conception of history grew up. Historians then came to believe that their task was not so much to paint a picture as to solve a problem; to explain or illustrate the successive phases of national growth, prosperity, and adversity. The history of morals, of industry, of intellect, and of art; the changes that take place in manners or beliefs; the dominant ideas that prevailed in successive periods; the rise, fall, and modification of political constitutions; in a word, all the conditions of national well-being became the subjects of their works. They sought rather to write a history of peoples than a history of kings. They looked specially in history for the chain of causes and effects. They undertook to study in the past the physiology of nations, and hoped by applying the experimental method on a large scale to deduce some lessons of real value about the conditions on which the well-being of society mainly depends.