Historical View of the Languages and Literature of the Slavic Nations: With a Sketch of Their Popular PoetryTalvj
History
Historical View of the Languages and Literature of the Slavic Nations: With a Sketch of Their Popular Poetry
Talvj
Folk songs, Slavic; Slavic languages -- History; Slavic literature -- History and criticism
The division of the verbs adopted in all other European languages into
_Active_ and _Passive_, seems to be useless in Slavic; for their being
active or passive has no influence upon their flexion; and the forms
of the Latin Passive and Deponent must in Slavic be expressed by a
circumlocution. A division of more importance and springing from the
peculiarity of the language itself, is that into verbs _Perfect_ and
_Imperfect_. Neither the Greek, nor the Latin, nor the German, nor any
of the languages derived from them, admits of a similar distinction.
It seems therefore difficult for persons not perfectly acquainted with
any Slavic dialect, to form to themselves a clear idea of it. It is
however one of their most striking features, which adds very
considerably to their general richness and power. The relation in
which the perfect and imperfect verbs stand to each other, is about
the same as that of the perfect and imperfect tenses in the
conjugation of the Latin verb. Perfect verbs express that an action
takes place a single time, and therefore is entirely completed and
past; from their very nature it results, that they have no imperfect
tense, and their conjugation must be in general incomplete. Imperfect
verbs express that the same action continues. Both have in most cases
the same radical syllable, and may be formed with a certain degree of
freedom; thus in Servian, _viknuti_, to cry once, _vikati_, to be
crying; _umriyeti_, to die, _umirati_, to be dying. There are however
others, which stand in the same relation to each other without issuing
from the same verbal stock; e.g. in Servian, _tchuti_ and _sluskati_,
to hear; _retji_ and _govoriti_, to speak, etc.
The Polish language, which is remarkably rich in every kind of
flexion, has a still simpler and more regular way of forming also a
frequentative out of almost every verb; e.g. _czytam_, I read,
_czytivam_, I read often; _biore_, take, _bieram_, I take often, etc.
In Bohemian, which in respect to grammar is by far the most cultivated
of the Slavic languages, there is a refinement in the tenses, of which
even the most perfect knowledge of the classical languages gives
hardly any idea, and the right use of which is seldom, if ever,
acquired by foreigners. Duration, decision, repetition, all the
different shades of time and purpose, which other languages have to
circumscribe in long phrases, the Bohemian expresses by a slight
alteration of one or two syllables.
Not less rich in these variations of the verb is the Russian. Besides
a vast treasure of original, genuine _indefinite_ verbs, as they call
all those, which have the general character of the verb of other
languages, without any allusion to the duration or continuance of the
action, they have verbs _simple, frequentative_ and _perfect_. A
single example will illustrate the fact:
Verb indefinite, _dvigat'_,[15] to move.
Verb simple, _dvinut'_, to move a single time.
Verb frequentative, _dvigivat'_, to move repeatedly.[16]
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