former minister of this church, who quitted his benefice on the act of
uniformity.
THE NEW CHURCH OF ST. CHAD.—From the site of the old edifice being deemed
ineligible, the new church was built on a commanding eminence bordering
on the Quarry. It is constructed of the beautiful white free stone
brought from Grinshill. The body of the church forms a circle one
hundred feet in diameter, and externally consists of a rustic basement,
with square windows, on which reposes a superstructure, containing a
series of large arched windows, between each of which are coupled Ionic
pilasters, resting on the basement and supporting a bold cornice, crowned
with an open balustrade. Attached to the main edifice is a small
circular building with similar enrichments; and beyond which is the
steeple, consisting of three stories. Upon a square rustic basement
rises an octagonal belfry, enriched with Ionic pilasters, and above, a
small cupola supported on a heavy cylinder, surrounded by eight slender
Corinthian pillars. A heavy cross and vane crowns the summit. On each
side of the tower is a plain square wing, which are used as vestries.
Before the front is a handsome portico, elevated on a flight of steps,
and supported by four Doric columns. The exterior beauty of this church
consists more in the fineness of its materials, and the splendour of its
ornaments, than in the harmonious proportion and disposition of its
several parts. The interior is handsomely and conveniently arranged; and
though possessing much of the theatrical air, yet, by the ingenuity of
the circular arrangement, all the congregation can distinctly hear and
see the officiating clergyman. A capacious gallery, ornamented in front
with a handsome balustrade, surrounds the whole church except the
chancel, and reposes on a double row of short pillars with Ionic
capitals. From these a corresponding tier of slender fluted shafts rises
to the ceiling, which is adorned with a glory in the centre, and a rich
cornice of angels and wings interlaced. The chancel, contrary to general
custom, is towards the north, and is separated from the body of the
church by a handsome arch, springing from an entablature supported by
composite columns, with capitals richly gilt. Over the chief entrance is
a powerful and fine-toned organ, built by Gray, of London, in 1794, and
enlarged and improved in 1848. The font formerly belonged to the parish
of Malpas, and is that in which the late Bishop Heber was baptized.
Public-domain text, read in full here on John Shaqi.
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