History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)Walters, H. B. (Henry Beauchamp)
History
History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)
Walters, H. B. (Henry Beauchamp)
Mythology, Classical, in art; Pottery, Ancient; Pottery, Etruscan; Pottery, Greek; Pottery, Roman
Like other deities, Apollo and Artemis are frequently found on Apulian
vases as spectators of the deeds of heroes, or other events in which
they are more or less interested; some of these subjects have already
been specified (see above, p. 17). Apollo especially is often seen in
connection with the story of Herakles, or the Theban and Trojan
legends. One burlesque scene represents his carrying off the bow of
Herakles to the roof of the Delphic temple,[278] and the subject of the
capture of the tripod, with the subsequent reconciliation, is of very
frequent occurrence.[279] As Apollo Ismenios, the patron of Thebes, he
is a spectator of the scene of the infant Herakles strangling the
snakes[280]; in one case he is represented disputing with Herakles over
a stag,[281] which may be another version of the story of the Keryneian
stag, a scene in which he also occurs.[282] He is seen with Herakles
and Kyknos,[283] Herakles and Kerberos,[284] and is very frequently
present at the apotheosis of the hero.[285]
Apollo and Artemis watch Kadmos slaying the dragon,[286] and one or
other of them is present at the liberating of Prometheus[287]; Apollo
alone is seen with Oedipus and Teiresias,[288] and watches the slaying
of the Sphinx by the former.[289] Among Trojan scenes he is sometimes
present at the Judgment of Paris,[290] also at the sacrifice of
Iphigeneia, the pursuit of Troilos, the combats of Achilles and Ajax
with Hector, and the recognition of Aithra by her sons.[291] He is, of
course, frequently seen in subjects from the Oresteia, both in Tauris
and at Delphi,[292] and at the death of Neoptolemos before the latter
temple.[293] The pair are also seen at the carrying off of Basile by
Echelos (see p. 140).[294]
The ξόανον, or primitive cult-statue, of Apollo is sometimes
represented; in one case Kassandra takes refuge from Ajax before it,
instead of the usual statue of Athena.[295]
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