Buffon's place in the history of science is that of one who
accomplished great things in spite of weaknesses peculiarly alien to
the scientific spirit. It was mainly he who, by strenuous exertions
and largely at his own cost, transformed the gardens from which the
king's physicians used to procure their drugs into what we now know
as the Jardin des Plantes. By the untiring labours of fifty years he
produced a Natural History in thirty-six volumes crowded with plates.
Having won for himself a place side by side with Montesquieu and
Gibbon, he employed it to direct attention to the larger questions of
biology and geology. He was a pronounced freethinker, who promulgated
bold views with a dexterity which saved him from condemnation by the
theological tribunals. When his opinions were declared to be contrary
to the teaching of the Church, he printed a conciliatory explanation,
but never cancelled the passages objected to, which continued to appear
in a succession of editions. His deficiencies, we must admit, were
serious. He was a poor observer (partly because of short sight), and
had no memory for small details. His enemies were able to taunt him
with absurd mistakes, such as that cows shed their horns. He alienated
the two foremost naturalists of the eighteenth century, Linnæus and
Réaumur, by ignorant and scornful criticisms. His strong propensity
to speculation, insufficiently checked by care to verify, might have
brought him under the sarcastic remark of Fontenelle, that ignorance
is less apparent when it fails to explain _what is_, than when it
undertakes to explain _what is not_.
Buffon's fame is not seriously impaired by the fact that his great work
is no longer read except by those who study the course of scientific
thought. Few productions of the human intellect retain their value
after a hundred years, and scientific treatises become obsolete sooner
than others. It is consoling to recollect that, if their energy is
quickly dissipated, it is at least converted into light.
Public-domain text, read in full here on John Shaqi.
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